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Because Chekhov’s plays convey the universally recognizable, sometimes comic, sometimes dramatic, frustrations of decent people trying to make sense of their lives, they remain as fresh and vigorous as when they were written a century ago. Gathered here in superb new renderings by one of the most highly regarded translators of our time—versions that have been staged throughout the United States, Canada, and Great Britain—are Chekhov’s four essential masterpieces for the theater.
- Sales Rank: #153103 in Books
- Published on: 2003-08-19
- Released on: 2003-08-19
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .60" w x 5.20" l, .47 pounds
- Binding: Paperback
- 288 pages
Review
“Chekhov, speaking simply and never otherwise than as an artist and a humane man, shows us in fullness and plenitude the mystery of our lives.”—Eudora Welty
Language Notes
Text: English (translation)
Original Language: Russian
From the Publisher
Chekhov's lyrical plays and uproarious farces continue to entertain theatergoers nearly a century after he wrote them. From his early work The Seagull --a depiction of estranged love and thwarted passion that became a great success Stanislavsky's Moscow Art Theater--to his last, The Cherry Orchard --the poignant portrayal of a land-owning family unable to adapt to a changing society--all his plays masterfully combine both levity and pathos. But his comedic genius comes to fruition most fully in his short entertainments, such as the hilarious courtship between a hypochondriac and a shrew depicted in The Proposal. Putting a "slice of life" on stage, Chekhov's dramatic art evokes the painful loneliness of the human condition, yet unfailingly highlights the pretensions and absurdities that make us laugh--at ourselves.
Most helpful customer reviews
14 of 14 people found the following review helpful.
The most actable translations I've read
By Thomas M. Robson
I've been reading and studying these plays for years now, and have read through and worked out of numerous different translations. Curt Columbus' versions of these four mighty plays are exceedingly well done. They are eminently actable and highly accessible to a modern audience. Yes, he does make some small adjustments, notably choosing to call each character by one consistent name, instead of using all of the various forms. Purists may scoff, but it removes a barrier to understanding for a modern theatregoer. Highly recommended for anyone directing Chekhov or teaching it to students.
5 of 5 people found the following review helpful.
Fun With Chekov
By R. House
I was doing a showcase performance that included scenes from the Seagull and the Cherry Orchard. We were given scripts and began working, but it wasn't until I read Curt Columbus's translation that it really clicked inside my head what was happening. This book is a great tool for an actor or just to read, and provides a more modern take on the material. Somewhere between all the English translations lies the essence of the original Russian stories. I recommend reading as many different translations as possible.
4 of 4 people found the following review helpful.
Essential Plays by the good doctor Anton Chekhov will live forever in the theatre of the human soul
By C. M Mills
Dr. Anton Chekhov (1860-1904) was the first major Russian writer who was not an aristocrat. His grandfather had been a serf. Chekhov was a brilliant genius of classic short stories and plays. In this Modern Library edition his four most famous plays are translated into English.
Those plays are:
1. The Seagull: This 1896 play won fame for Chekhov following its production at the Moscow Art Theatre. The work deals with the love of the fledgling playwright Trepilov in love with Nina who dreams of becoming a great actress. Nina falls in love with the famous playwright Trigorin running away with him. In despair, Trepilov plays a dead seagull which he has shot down at the feet of Nina. Two years later, Nina returns to the estate deserted by her quondom lover the scamp Trigorin. She declares that her life has been shot down just as the seagull was earlier brought down to death. Trigorin attempts suicide for the second time and is successful in this effort. The play is beautifully written and the theme of being busy with work is prominent. It is a play about the hard work necessary by a playwright as well as dealing with a tragic love story.
2. Uncle Vanya-This 1899 play deals with the kindly Uncle Vanya who has managed the estate of professor Serebryakov for many years. Vanya comes to realize that the lazy professor is an academic fraud. Vanya falls in love with the professor's lovely second wife Elena Andreyevna. She rejects him as a lover. The inept Vanya then attempts to kill the professor with a gun but fails. The professor forgives him though he agrees not to sell the estate which Vanya feared would occur. Life returns to normal.
3. The Three Sisters-The play deals with the boring lives of three sisters from Moscow: Olga, Masha and Irina who live in a provincial city of 100,000. The three women dream of returning to Moscow; fall in love with various officers stationed in the town but at the end of Act IV remain in their dull lives. The play deals with ordinary day to day existence. The lives of the characters are jejune as they yearn to be free of everyday responsibilities. They remind this reviewer of Thoreau's famous line about people living lives of "quiet desperation."
4. The Cherry Orchard deals with the forced sale of a beautiful Cherry Orchard by an aristocratic family experiencing hard economic times. The plangent sound of an ax cutting down the cherry trees ends the play.
All of these plays were written in four acts. Their major themes are the need for work even in a world where such effort might seem futile.
Chekhov's focus is on families of the lower aristocracy and middle class. He wrote on the eve of Russian revolution as the old way of life was about to pass from the scene forever.
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