Tuesday, November 30, 2010

[J847.Ebook] Free PDF The Short Story: The Reality of Artifice (Genres in Context), by Charles May

Free PDF The Short Story: The Reality of Artifice (Genres in Context), by Charles May

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The Short Story: The Reality of Artifice (Genres in Context), by Charles May

The Short Story: The Reality of Artifice (Genres in Context), by Charles May



The Short Story: The Reality of Artifice (Genres in Context), by Charles May

Free PDF The Short Story: The Reality of Artifice (Genres in Context), by Charles May

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The Short Story: The Reality of Artifice (Genres in Context), by Charles May

The short story is one of the most difficult types of prose to write and one of the most pleasurable to read. From Boccaccio's Decameron to The Collected Stories of Reynolds Price, Charles May gives us an understanding of the history and structure of this demanding form of fiction. Beginning with a general history of the genre, he moves on to focus on the nineteenth-century when the modern short story began to come into focus. From there he moves on to later nineteenth-century realism and early twentieth-century formalism and finally to the modern renaissance of the form that shows no signs of abating. A chronology of significant events, works and figures from the genre's history, notes and references and an extensive bibliographic essay with recommended reading round out the volume.

  • Sales Rank: #1616989 in eBooks
  • Published on: 2013-10-14
  • Released on: 2013-10-14
  • Format: Kindle eBook

From Booklist
By a well-known critic of the genre, a general survey of the history and properties of the short story from its genesis in the mist-shrouded early history of literature to its alive-and-kicking state today. This book deserves a place in any public library literature collection because good critical guides to the short story are few and far between, and this one is excellent. Chapter one, appropriately entitled "Overview," reaches back to Boccaccio and Cervantes to find the short story's roots, then succeeding chapters focus on the nineteenth century, when the short story in what we recognize as its modern form began, and move on to the twentieth century, during which it has grown into maturity as a literary form with full integrity. Along the way, May not only discusses important writers but identifies important trends and movements. An appended list of recommended titles wraps up May's edifying presentation. Brad Hooper

Review
"The book constitutes a journey to the author's 'collective literary conscious,' as May reminisces about short stories and courses he has taught.  Most useful as a kind of handbook for the general reading public or for an undergraduate short-story class.  -W. B. Warde, Jr., Choice

Although intended for students, this manual has much to offer teachers and general readers of artistically ambitious brief fiction.  The author of several highly regarded books on the genre, May succinctly and clearly summarizes the development of its theory and practices by references to key Western texts... an excellent starting point for serious reading and reflection.  -Virginia Quarterly Review

From the Back Cover
With The Short Story: The Reality of Artifice, Charles E. May, a foremost authority on the genre, contributes a major effort to examine the history and characteristics of the short story from a critical perspective. Drawing on twenty-five years' experience studying the form, May argues that the development of the short story has always reflected "a tension between the traditional mythic origins of the form and the increasing pressures of modernism to depict 'real life.'" The book commences with an incisive overview, tracing how the conventions of the short story have evolved over time, from the form's origins in myth and folktale through its immersions into romanticism, realism, formalism, and, in the contemporary renaissance, the twin streams of magical realism and hyperrealism. In four core chapters May charts the major periods in the genre's development, along the way delving into the stories of a host of representative writers - among them Hawthorne, Poe, Conrad, Chekhov, Hemingway, Porter, Barthelme, and Carver - and offering close readings that entertain as they inform. An in-depth bibliographic essay surveys the principal criticism devoted to the form, while an annotated list of recommended titles furnishes readers with a useful guide to the primary English, American, and European stories of the nineteenth and twentieth centuries; a detailed chronology sets forth key publication and birth/death dates from the 1340s to the 1990s. A masterfully written yet eminently accessible study, The Short Story: The Reality of Artifice constitutes an important new resource for students, scholars, writers, and the reading public at large.

Most helpful customer reviews

2 of 3 people found the following review helpful.
One of the best scholars on short story theory
By Flávio
This is not the first time I read Charles E. May. I had read two other articles from "The New Short Story Theories", edited by himself: "The Nature of Knowledge in Short Fiction" and "Chekhov and the Modern Short Story". Both articles and this book I've just bought are being very useful and helpful in the writings of my master's degree thesis on "The genre problem and the short-short story". Charles E. May is a great scholar on short story theory. He goes deep but is very clear in what he writes. I am very thankful to him.

1 of 2 people found the following review helpful.
Great Book!
By sunsusan
Loved your book!

Your favourite girl, Alice Munro won the Noble Peace Prize today! I am Canadian so, soooooo happy! Loved her stories of regular people and life.

See all 2 customer reviews...

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