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The short story is one of the most difficult types of prose to write and one of the most pleasurable to read. From Boccaccio's Decameron to The Collected Stories of Reynolds Price, Charles May gives us an understanding of the history and structure of this demanding form of fiction. Beginning with a general history of the genre, he moves on to focus on the nineteenth-century when the modern short story began to come into focus. From there he moves on to later nineteenth-century realism and early twentieth-century formalism and finally to the modern renaissance of the form that shows no signs of abating. A chronology of significant events, works and figures from the genre's history, notes and references and an extensive bibliographic essay with recommended reading round out the volume.

• Sales Rank: #1616989 in eBooks
• Published on: 2013-10-14
• Released on: 2013-10-14
• Format: Kindle eBook

From Booklist
By a well-known critic of the genre, a general survey of the history and properties of the short story from its genesis in the mist-shrouded early history of literature to its alive-and-kicking state today. This book deserves a place in any public library literature collection because good critical guides to the short story are few and far between, and this one is excellent. Chapter one, appropriately entitled "Overview," reaches back to Boccaccio and Cervantes to find the short story's roots, then succeeding chapters focus on the nineteenth century, when the short story in what we recognize as its modern form began, and move on to the twentieth century, during which it has grown into maturity as a literary form with full integrity. Along the way, May not only discusses important writers but identifies important trends and movements. An appended list of recommended titles wraps up May's edifying presentation. Brad Hooper

Review
"The book constitutes a journey to the author's 'collective literary conscious,' as May reminisces about short stories and courses he has taught.  Most useful as a kind of handbook for the general reading public or for an undergraduate short-story class.  -W. B. Warde, Jr., Choice

Although intended for students, this manual has much to offer teachers and general readers of artistically ambitious brief fiction.  The author of several highly regarded books on the genre, May succinctly and clearly summarizes the development of its theory and practices by references to key Western texts... an excellent starting point for serious reading and reflection.  -Virginia Quarterly Review

From the Back Cover
With The Short Story: The Reality of Artifice, Charles E. May, a foremost authority on the genre, contributes a major effort to examine the history and characteristics of the short story from a critical perspective. Drawing on twenty-five years' experience studying the form, May argues that the development of the short story has always reflected "a tension between the traditional mythic origins of the form and the increasing pressures of modernism to depict 'real life.'" The book commences with an incisive overview, tracing how the conventions of the short story have evolved over time, from the form's origins in myth and folktale through its immersions into romanticism, realism, formalism, and, in the contemporary renaissance, the twin streams of magical realism and hyperrealism. In four core chapters May charts the major periods in the genre's development, along the way delving into the stories of a host of representative writers - among them Hawthorne, Poe, Conrad, Chekhov, Hemingway, Porter, Barthelme, and Carver - and offering close readings that entertain as they inform. An in-depth bibliographic essay surveys the principal criticism devoted to the form, while an annotated list of recommended titles furnishes readers with a useful guide to the primary English, American, and European stories of the nineteenth and twentieth centuries; a detailed chronology sets forth key publication and birth/death dates from the 1340s to the 1990s. A masterfully written yet eminently accessible study, The Short Story: The Reality of Artifice constitutes an important new resource for students, scholars, writers, and the reading public at large.

Most helpful customer reviews

2 of 3 people found the following review helpful.
One of the best scholars on short story theory
By Flávio
This is not the first time I read Charles E. May. I had read two other articles from "The New Short Story Theories", edited by himself: "The Nature of Knowledge in Short Fiction" and "Chekhov and the Modern Short Story". Both articles and this book I've just bought are being very useful and helpful in the writings of my master's degree thesis on "The genre problem and the short-short story". Charles E. May is a great scholar on short story theory. He goes deep but is very clear in what he writes. I am very thankful to him.

1 of 2 people found the following review helpful.
Great Book!
By sunsusan
Loved your book!

Your favourite girl, Alice Munro won the Noble Peace Prize today! I am Canadian so, soooooo happy! Loved her stories of regular people and life.

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• Sales Rank: #11294004 in Books
• Published on: 1982
• Binding: Paperback

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• Sales Rank: #1513408 in Books
• Published on: 2008-07-28
• Binding: Paperback

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Where does honey come from? The Cat in the Hat knows that! It comes from bees, and what better way to learn about honey making than to visit inside a hive and see firsthand how it’s done? In this rhymed easy reader based on an episode from the new PBS Kids television show The Cat in the Hat Knows a Lot About That!, the Cat, Sally and Nick, and Things One and Two shrink to bee size and learn how bees communicate via dance, collect nectar and spit it into combs, turn it into honey, and seal the combs with wax.

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• Sales Rank: #121576 in Books
• Brand: Random House Books for Young Readers
• Published on: 2010-08-10
• Released on: 2010-08-10
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .19" w x 6.00" l, .23 pounds
• Binding: Paperback
• 48 pages

Features

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About the Author
Tish Rabe is the author of eleven Cat in the Hat’s Learning Library books (as well as many others).

Christopher Moroney has illustrated countless books for children.

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3 of 3 people found the following review helpful.
Great story for little ones!
By Vanya's Mom
We got this book as a freebie at National Book Fair, and at first I thought our 19-month-old wouldn't have any use for it for years. It's become her favorite, though, thanks to the rhymes and colors, the wonderful rhythmical language, and the fun story. She loves to get up and act out the bees' dance, and point to each character in the story. We're ordering copies for her cousins for Christmas, along with a donation for bee hives to an international relief organization - and will be picking up a few more books in this series for our daughter. Best of all: unlike most of her baby books, Mom and Dad don't get tired of reading this over... and over... and over...

2 of 2 people found the following review helpful.
Great introductory book on bees
By Lori R.
Great children's book to introduce bees and how they make honey. Mostly for younger children, it can really teach anyone about the roles the different bees have in the hive and how the bees dance to let other bees know where to find honey.

1 of 1 people found the following review helpful.
Show Me the Honey - T. Rabe
By Sue E. Gross
Author Rabe is an excellent writer of the Seusian type children's books. These, including this title, are excellent for young children and help to establish a bond between adult and child. This book is recommended and Rabe can be considered a very creative author.

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[M900.Ebook] Ebook The Imposing Preacher, by Adam L. Bond

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The Imposing Preacher, by Adam L. Bond

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As a distinguished Baptist pastor, educator, and public servant, Samuel DeWitt Proctor made it his mission to serve American life by fighting against racism. In The Imposing Preacher, Adam Bond shows how Proctor, as the product of a prophetic black church tradition, a social gospel-laced liberal Protestantism, and a black middle-class integrationist ethos, envisioned a type of pulpit activism through which the United States could realize a civil society and genuine community, and was able to anticipate and contest some of the themes articulated in the black religious movements of the late twentieth century.

Bond shows Proctor to be a public theologian committed to developing an inclusive and racially pluralistic global society that confronts racism as the social crisis of its time. Proctor did not respond to segregation through marches and visible protests. Instead he saw the classroom and the pulpit as the sacred spaces for dialogue about race in America. In this way, he presents an alternative model of religious and social leadership and for studies of African American religion in the twentieth century.

• Sales Rank: #1756620 in Books
• Published on: 2013-06-01
• Original language: English
• Number of items: 1
• Dimensions: 8.90" h x .70" w x 6.00" l, .95 pounds
• Binding: Paperback
• 264 pages

Review
"The Imposing Preacher is a rich biography - bringing the master preacher and public theologian Samuel DeWitt Proctor to life for current and future generations. Bond points us to the genius of Proctor's preaching being forged in the powerful matrix of social Christianity and a Black social gospel. Proctor's faith was not personal as he tackled in the thorn of racial inequality as a vexing theological problem that the church must work to eradicate. Bond gives us a marvelous blend of homiletical insights and social witness. A must read for those who care deeply about the craft of preaching in troubling times." Emilie M. Townes Vanderbilt Divinity School

About the Author
Adam L. Bond is assistant professor of historical studies at The Samuel DeWitt Proctor School of Theology, Virginia Union University.

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10 of 10 people found the following review helpful.
Persons like Dr. Proctor are too often overlooked for the ...
By Marvin A. McMickle
Having had the privilege of working closely with Samuel D. Proctor between 1972 and 1976, I celebrate this book by Adam Bond. He captures both the qualities and the achievements of a man who was truly an imposing preacher and an invaluable mentor and model in ministry. Persons like Dr. Proctor are too often overlooked for the role they played in providing counsel and support for the leaders of the civil rights movement from Martin Luther King, Jr. who followed Proctor to Crozer Theological Seminary in 1948 to Jesse Jackson who was student body president at North Carolina A&T in 1961 when Proctor was president of the university. Bond manages to trace the career of this remarkable man from a leading black college administrator, to a Kennedy-Johnson era federal official, to being the successor of Adam Clayton Powell, Jr. at Abyssinian Baptist Church in New York City. Few Americans have made as big an impact in so many different arenas as Proctor. Adam Bond tells that story with careful research and clear and accessible writing. This is an imposing book about an imposing preacher.

6 of 6 people found the following review helpful.
Five Stars
By Maceo E Freeman Jr
Well written and excitingly informative. Dr. Proctor is a much needed voice today.

3 of 3 people found the following review helpful.
Theology
By wendy bethea
I enjoyed reading about Dr Proctor's life and the women and men who has influenced him to be the caring activist in the community and how he listened to God, becoming a man of faith that took action I stead of wishing someone else would stand instead. He became an upright righteous man who made difference and through his actions his legacy still lives.

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[E230.Ebook] Free PDF Dr. Faustus (Dover Thrift Editions), by Christopher Marlowe

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One of the most durable myths in Western culture, the story of Faust tells of a learned German doctor who sells his soul to the devil in exchange for knowledge and power. Early enactments of Faust's damnation were often the raffish fare of clowns and low comedians. But the young Elizabethan playwright Christopher Marlowe (1564–1593) recognized in the story of Faust's temptation and fall the elements of tragedy.
In his epic treatment of the Faust legend, Marlowe retains much of the rich phantasmagoria of its origins. There are florid visions of an enraged Lucifer, dueling angels, the Seven Deadly Sins, Faustus tormenting the Pope, and his summoning of the spirit of Alexander the Great. But the playwright created equally powerful scenes that invest the work with tragic dignity, among them the doomed man's calling upon Christ to save him and his ultimate rejection of salvation for the embrace of Helen of Troy.
With immense poetic skill, and psychological insight that foreshadowed the later work of Shakespeare and the Jacobean playwrights, Marlowe created in Dr. Faustus one of the first true tragedies in English. Vividly dramatic, rich in poetic grandeur, this classic play remains a robust and lively exemplar of the glories of Elizabethan drama.

• Sales Rank: #87107 in eBooks
• Published on: 2012-03-05
• Released on: 2012-03-05
• Format: Kindle eBook

Review
"This edition is absolutely essential for any serious student or teacher of this perpetually intriguing and vexing play." (Peter G. Platt Studies in English Literature 48.2 (Spring 2008) )

"Michael Keefer's revised edition of Marlowe's Doctor Faustus is now all the more an indispensable text for students, teachers, and scholars of early modern English drama. It combines immense learning with perfect clarity and accessibility. It gives us a solidly reconceived text and also a brilliant historical introduction that fills each line of this strange and moving play with the sounds of a world in intellectual and religious crisis." (Paul Yachnin ) --Paul Yachnin

Review
"This edition is absolutely essential for any serious student or teacher of this perpetually intriguing and vexing play." (Peter G. Platt Studies in English Literature 48.2 (Spring 2008) )

"Michael Keefer's revised edition of Marlowe's Doctor Faustus is now all the more an indispensable text for students, teachers, and scholars of early modern English drama. It combines immense learning with perfect clarity and accessibility. It gives us a solidly reconceived text and also a brilliant historical introduction that fills each line of this strange and moving play with the sounds of a world in intellectual and religious crisis." (Paul Yachnin )

From the Publisher
This is a full cast production with sound effects and original music produced at the Canadian Broadcasting Centre.

Length is approximately 2 hours.

Most helpful customer reviews

83 of 96 people found the following review helpful.
The English Faust
By Dmitrij Gawrisch
Not everybody knows Faust(us). But a lot do. Most readers know this tragic personnage who allied himself with the devil and finally paid the price for his betrayal of God from a famous play written by J.W. Goethe. It was him who wrote the most famous version of Faust's history. (If you want to know more about Goethe's work, please visit my reviewer page.) But he wasn't the only dramatist who considered this lost magician worth a tragedy. Exactly 2 centuries and 1 year before Goethe published his work, a play by the Englishman Christopher Marlowe saw the light of the world.
Marlowe and Goethe are different personalities living in completely different times so that it's no wonder their plays vary in character. Goethe lived in prosperity and had all his life to think about subjects like human nature, social relationships, history and its influence on the present, love, religion and much more. He was a philosoph, and that's the reason why Goethe's "Faust" is sometimes difficult to understand because you have to dive under the surface of things to understand their true nature. Marlowe's work is different: This man was certainly very intelligent and knew a lot about the forces that moved the world, but, unlike Goethe, he didn't have a lifetime to think about one single play. You can imagine that Marlowe's "Faust" became more shallow, but still not shallow enough to be ignored by this imaginary institution we call World Literature. As a compensation, Marlowe's work contains more life and action in it, something I can't say about Goethe's. Both men were geniuses. In this review, I'd like to pay my tribute to the Englishman.
As stated above, the play tells the story of a medieval scientist who allies himself with the devil. The latter promises to serve the first in this world, whereas Faust must do the same in hell. The poor doctor doubts his choices because it's his soul being sold, still he follows the devil and has the time of his life. I beg your pardon, for I feel the need to return to Goethe to show you another important difference between both versions: Whereas Marlowe's Faust wants the devil to provide him with fun and all richness of the world (materialism), Goethe's alter ego feels the importance to be educated by the devil to get a complete picture of the world. At the end, Marlowe's Faust realizes that all experiences weren't worth his soul. He begs God to save him, but it is no longer possible. The devil tears his body apart and takes his soul with him to infinite sufferings.
The effect this play had on me was tremedous. Fascinated, I watched Faust's development. I particularly liked the 5th act where he realizes that all is finally lost. You can really feel his pain in those scenes; the effect is unbelievable.
So, if you want to be touched by human tragedy, I really advise you to read this book. It's done very quickly, so you needn't worry about the time it takes. If you want to make a step further and find additional material on Faust, read Goethe's "Faust 1" as well as Thomas Mann's "Doctor Faustus". It's a marvelous novel and the most modern narration based on the medieval German scientist named Johann(es) Faust(us).

36 of 40 people found the following review helpful.
The Best Retelling of the Faust Legend
By A Customer
In the Faust legend, a man by the name of Faust or Faustus sells his soul to the devil for twenty-four years of worldly power. This legend has been told many times over by such writers as Goethe and Mann, but no doubt the most famous retelling, and probably the best, is the play, Doctor Faustus by Christopher Marlowe.
The most prominent influence on Marlowe's version of the Faust legend was the social upheaval during the time period in which it was written. Doctor Faustus was probably first performed in 1594, a time of tremendous change in Europe. The Medieval times were over and the Renaissance was beginning, however, influences of both times can be found in the play. Doctor Faustus is a transitional play where beliefs from both time periods intermingle, sometimes with disastrous results.
Doctor Faustus, himself, is a man torn between two traditions. He is a man with medieval beliefs, but renaissance aspirations. When he first attempts to conjure Mephistopheles, Faustus believe that Mephistopheles was forced to come by his (Faustus's) words. In response, Mephistopheles says, "for when we hear one rack the name of God, abjure the Scriptures and his savior Christ, we fly in hope to get his glorious soul." Mephistopheles has, of course, come of his own accord, because he feels that there is a soul to be had. He states this blatantly, yet Faustus is clouded by his old beliefs and also by his desires.
From a medieval point of view, Doctor Faustus can be looked upon as a morality play; a play about one man who aspires beyond his God-given place in the world. On the other hand, from a renaissance perspective, this play is a tragedy. The Renaissance was a time of individuality unlike the Middle Ages where a man was trapped in whatever social class into which he was born. Faustus is "an essentially good man" by Renaissance ideals who believes he has reached the end of human knowledge and is thus justified is using the black arts to further his knowledge. As in most classical tragedies, his downfall is complete and is due to his pride.
After Faustus makes his deal with Lucifer, the question must be asked: Is there any way back for him? Faustus believes he is damned at the moment that he signs his name in blood, although he has many chances to repent during the course of the play. The first chance comes after his first conjuring. He says, "O something soundeth in mine ear, 'Abjure this magic, turn to God.' Aye, and Faustus will turn to God again. To God? He loves thee not." Something is pleading for Faustus to repent, but Faustus remains firm in believing God has already condemned him. Each time the Good Angel appears is yet another chance for Faustus to repent, but the Evil Angel continues to threaten him if he even thinks about repenting. If it were not possible for Faustus to save his soul, then the Evil Angel and his demons would have simply left Faustus alone to cry out in anguish to God.
The final indicator that Faustus could have been saved at any point over his twenty-four year bargain is given by Mephistopheles, himself, as Faustus's fate is sealed beyond irrevocability.
Christopher Marlowe's brilliant retelling of the Faust legend springs not only from his own creativity, but from the times in which he lived. Marlowe's life and times allowed him to create the greatest retelling of one of Western cultures more timeless stories. When put to words, the legend seems so simple, yet its possibilities and implications, as Marlowe proves, can be nothing less than monumental.

30 of 34 people found the following review helpful.
Yes, the English Renaissance CAN be humorous!
By Bob Lehner
Christopher Marlowe is a genius. This thorough, Oxfordiancompilation of his best known plays contains Tamburlaine the Great parts one and two, the Tragical History of Doctor Faustus in its original A-text and its later B-text, The Jew of Malta, and Edward II. The beauty of these dramas lies in the fact that they're short but powerful reading pieces. In five acts Marlowe was able to generate a story complete with action, classical allusions, and a bawdy humor one might not expect from otherwise generally classified stuffy English Renaissance drama. This book contains an exhaustive introduction that explains many details of the publication dates of the plays and the differences between versions (Faustus). It also contains a thorough section for notes that further explain the texts. Finally, it contains a glossary of the commonly used words from the texts. The bottom line? This book is a great read--it's funny (I can't begin to stress that enough), and you will appreciate Marlowe's wit and talent just as much as William Shakespeare did. Buy it today!

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