Friday, July 30, 2010

[P637.Ebook] Download PDF Tear-Out Coloring Cards: Adult Coloring Book & Coloring Cards & Journal, by Amalia Denis

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Tear-Out Coloring Cards: Adult Coloring Book & Coloring Cards & Journal, by Amalia Denis

Adult Coloring Book & Coloring Cards & Journal

  • Sales Rank: #3091112 in Books
  • Published on: 2017-03-04
  • Original language: English
  • Dimensions: 11.00" h x .10" w x 8.50" l,
  • Binding: Paperback
  • 40 pages

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Wednesday, July 28, 2010

[P692.Ebook] Download Ebook Fighter Pilot: The Memoirs of Legendary Ace Robin Olds, by Christina Olds, Ed Rasimus, Robin Olds

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Fighter Pilot: The Memoirs of Legendary Ace Robin Olds, by Christina Olds, Ed Rasimus, Robin Olds

Robin Olds was many things to many people. To his West Point football coach he was an All American destined for the National College Football Hall of Fame. To his P-38 and P-51 wartime squadrons in WWII he was the aggressive fighter pilot who made double ace and became their commander in nine short months. For the pioneers of the jet age, he was the wingman on the first jet demo team, a racer in the Thompson Trophy race, and the only U.S. exchange officer to command an RAF squadron. In the tabloid press he was the dashing flying hero who married the glamorous movie star. For the current crop of fighter pilots he is best known as the leader of the F-4 Wolfpack battling over North Vietnam. For cadets at the Air Force Academy he was a role model and mentor. He was all of those things and more.

Here's Robin's story in his own words and gleaned from the family and friends of his lifetime. Here's the talent and learning, the passion and leadership, the love and disappointments of his life. Few men have written on the tablets of aviation history with such a broad and indelible brush. Olds was a classic hero with vices as well as virtues, a life writ large that impacted many.

  • Sales Rank: #47136 in Books
  • Published on: 2011-05-10
  • Released on: 2011-05-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.22" h x 1.16" w x 6.21" l, 1.03 pounds
  • Binding: Paperback
  • 432 pages
Features
  • Aviation Military History
  • Autobiography Pilot Narrative
  • World War II
  • Vietnam War

Review

“A gripping narrative...Compelling reading, likely to become a classic.” ―Booklist

“Robin Olds is probably the greatest aerial warrior America ever produced. His autobiography tells it like it was...and provides written proof why the people who served with him made him a legend. This book will be an instant classic.” ―Stephen Coonts, New York Times bestselling author of The Assassin

“One man's account of war and, in its way, a tribute to a vanished breed of men.” ―The Wall Street Journal

“Excellent...at times, his poetic descriptions reveal a humanity rarely exhibited in public by this swashbuckling, handlebar-mustachioed giant of air power.” ―Aviation Weekly

About the Author

Robin Olds (1922-2007) was a U.S. Air Force fighter pilot. A triple ace, he achieved a combined total of 16 victories in the Second World War and the Vietnam War. Born into an army family in Honolulu and raised in Virginia, he was educated at West Point, where he was an All American football player. He fought in Europe during World War II, and was regarded as the best wing commander in the Vietnam War. He was promoted to brigadier general after Vietnam, and also served as Commandant of Cadets at the U.S. Air Force Academy.

Christina Olds is the daughter of Robin Olds. She holds a B.A. in English and creative writing from Vassar.

Ed Rasimus is a retired USAF fighter pilot whose books on the Vietnam air war include When Thunder Rolled and Palace Cobra.

Excerpt. © Reprinted by permission. All rights reserved.

From Chapter 7: Victories—at Last! 

     By August we had all changed. Combat does that. It digs deep into your soul, searching to find the grit. For most, it isn’t something you think about. It just happens. The world shrinks around you. Home, Mom, and apple pie become remote memories, and the mental image of your girlfriend back in the States is sexier than the rear view of Betty Grable. We learned to live one day at a time and to concentrate on survival. But to varying degrees we all developed a deep sense of frustration at our lack of real action. I needed something positive to make the empty beds of lost friends meaningful. There had to be more than just strafing trains, dropping bombs, losing people, fighting to come back home, then feeling like we hadn’t really accomplished anything. It was part of the war effort, but the milk runs didn’t fulfill the vision we held of a fighter pilot. Ground attack was part of the mission, but our focus always returned to aerial battles.
     The group had made progress since our arrival in early May, but the price had been high. We’d lost three of our four flight commanders, both of my roommates had been shot down over Holland, and many pilots were KIA or POW. Nearly half of the original 434th Squadron was gone. The other two squadrons in the group had suffered similar attrition. Our original group CO, Kyle Riddle, was lost to flak on May 10. No one was immune. We who survived had gotten smarter about combat.
     Our salvation appeared with the arrival of Colonel Hubert “Hub” Zemke, who replaced Colonel Riddle as CO two days later. Hub was about to give us all some much-needed savvy in the art of aerial warfare, and we were ready. Zemke had loads of experience. He’d been an Air Corps pilot prior to the war and even flown a tour with the Soviet air force. As CO of the 56th Group at RAF Boxted, he had developed tactics in which his pilots rendezvoused at an easily found landmark in their bomber escort zone, then broke up into individual flights and fanned out in 180-degree arcs to respond to attacks on the bomber stream. The spread let his units cover a lot of airspace.
     In May, both of Zemke’s wingmen were shot down by Luftwaffe ace Günther Rall, who in turn was shot down by 56th Group ace Joe Powers in the same dogfight. After that, Zemke upgraded his “fan-out” tactic to the three full squadrons of the group instead of just flights. He jumped at the chance to command the 479th because he wanted to fly the new Mustangs. His 56th Group had P-47s, which were increasingly focusing on ground attack. He knew we were converting to P-51s when we heard only rumors. Hub was our kind of guy, aggressive, smart, relentless, and determined to hit the Luftwaffe where it hurt. He was already a triple ace and had created legends in the 56th, like Gabreski, Mahurin, and Johnson. We in the 479th knew about their exploits and were in awe of their skill and good fortune.
     I’ll admit we were a raggedy-assed bunch when he arrived. We had lots of desire but not much air-to-air experience. We never blamed Colonel Riddle for that. God knows he flew and led as many missions as anyone, but results count. For us Hub’s fame as leader of his Wolfpack was nothing short of awesome. The new boss took over and rattled us right away. He taught, led, laid down the law, and put us on the right track. Things were going to be different. Although he put up a stern front, we quickly learned he cared about each of us. To tell the truth, we felt as though he had a hard time keeping a straight face at our bumbling eagerness. He had a great sense of humor, but we learned when it wasn’t at the forefront.
     On his first day at Wattisham, Hub put up a sign on the door of his office: KNOCK BEFORE YOU ENTER. I’M A BASTARD, TOO. LET’S SEE YOU SALUTE.
     The young pilots got a huge charge out of that. Hell, we were in the habit of saluting everything anyhow, and wouldn’t go near a colonel’s sanctum unless under extreme duress. To be called before the boss meant trouble. Failing to knock would only have compounded whatever felony had brought us there in the first place, so we knew the sign wasn’t about us. We watched and smirked as our immediate bosses and members of the group staff were seen outside that door, self-consciously tucking in shirttails, running hands over hair, buffing up the shoe shine on the back of each trouser leg, adjusting the tie, then knocking timidly, and nervously waiting for permission to enter. We knew and they learned.
     When Hub arrived, a few of the pilots in the group had shot down an enemy aircraft or two, but I had yet to even see one. I was frustrated. Fighter pilots dream of victory in aerial combat; it’s the be-all and end-all of the fighter profession. It was the price of admission, and I wanted to belong. Mission after mission since May, I had flown with my head on a swivel searching for enemy planes. Nothing. Nothing in that vast sky except bombers and flak, explosions and smoke trails spiraling down, anguished calls on the emergency frequency, parachutes and pieces, and the otherwise empty wild blue. No prey, no snarling little Messerschmitt 109s or Focke-Wulf 190s, just nightly mission reports telling us someone  else had found them. Usually it was someone from Zemke’s 56th Group. Gabreski had twenty-eight kills and I hadn’t seen one enemy aircraft in flight.
     The morning of August 14 finally offered something different: a predawn takeoff, a bridge over the river at Chalon-sur-Saône as the target. The German armies were in retreat, fighting for every mile, resisting fiercely as the Allies pushed through France toward Belgium and Holland. General Patton’s 3rd Army was sweeping the southern flank. The bridges behind the Wehrmacht were important targets. Knocking them out would hinder movement and support Patton’s intention of destroying everything in front of him.
     Only 8th Air Force headquarters knew why the 479th FG was picked to hit this particular bridge. We certainly couldn’t figure it out. Maybe they had greater faith with Zemke as our CO. I would ponder it for years yet never figure out the reasoning. We were in England, a couple of hours away from the target, and 9th Air Force was in France now, close to the ground action. They were veterans in providing the air support that had made Patton’s dash possible. Perhaps all of the 9th squadrons were engaged in that truly close support in front of the troops, which none of us in the 8th were yet qualified to do. In any event, bombing bridges was something we’d been doing all summer, and I guess it didn’t matter whose bombs did the job.
     During the briefing there was a lot of stirring and nervous coughing. It wasn’t the target or the opposition expected, nor even the anticipated flak, that made us nervous. The weather was good, in fact excellent for Europe. Group Lead Highway exuded confidence, the S-2 intel officer made the mission seem really important, our own airfield conditions  were normal, and flight assignments stacked up well, so why the niggling feeling?
     Christ almighty it was still black outside. It was obviously going to be black for takeoff, black for rendezvous, and black all the way into France. What kind of deal was this? We weren’t bloody night fighters! We never had been, and you don’t go fooling around when a man can’t SEE. Somebody was going to realize the whole thing was starting about two hours too early and we’d all get another cup of coffee while ops replotted the timing. But, no, briefing ended with hearty encouragement from the podium and one small admonition not to forget our navigation lights.
     No one wanted to ask the burning question, so it wasn’t asked. There were a few sidelong glances, some shuffling about, furtive peeks at our hack watches, audible sighs, a few grumbles, but that was all. I guess we thought if we could do what we did every day, a little predawn action thrown in wouldn’t hurt too much.
     After the group briefing, I got D Flight together and tried to do some anticipating. I leaned forward at the table. “Look, guys, we all know it’s tricky getting forty-eight P-38s in proper order out to the runway in broad daylight, let alone before dawn. I’ll tell you what Newcross Blue is going to do. 435th and 436th are going first, 434th is last off, and our Blue will be the last flight in the parade, so I’m going to hold in the parking revetment until everyone passes on the perimeter track heading for runway 27. Then I’ll flash my landing lights and fall in behind the gaggle. You stay wherever you’re parked till you see my lights, and then follow me in order Two, Three, Four. Got it? Just stay clear of the rest of the mess. When we get airborne I won’t do the standard join-up like the rest of the group. Instead of a left orbit, I’m going to climb straight ahead on a heading of 270. I’ll throttle back and hold 150 at 800 feet. Two, you move over to my left wing as soon as its comfortable; Three, keep Four on your right wing and join on my right. If you don’t see me, click your mike button three times and back off to 150. I’ll start a slow left turn and click back three times. You start your turn and hold 500 feet. When we get around to the briefed departure heading I’ll advance throttles to the normal climb power setting. You do the same. Watch for my lights. If you see me, click three times. I’ll rock my wings. Then you’ll know it’s me. That should do it. We’ll catch the rest of the gang over the Channel somewhere.”
     Yeah. Sure. Nice idea, Robin.
     Everything went fine until half of Lakeside Squadron was airborne. Then some idiot got a wheel off the side of the taxiway and bogged down. With no way to taxi around him, the rest of us were ordered to do a 180 on the perimeter track then taxi all the way around the dark airfield for runway 09. Great! That put the remainder of the shooting match in inverse order for takeoff. The only good thing about it was that Newcross Blue Flight was now first in line for departure. That was great, except we were in reverse order on a narrow taxiway. I told Blue Four to pull into the first empty parking stub, Blue Three into the next, and Two wherever he could, then when I taxied past them, to come out in proper order behind me. This worked and we reached runway 09 in proper sequence. I lined up with Two on my right, made the usual pretakeoff checks, blinked my lights, and gave it the throttle. Two hung tight on my wing and we accelerated rapidly to liftoff speed. I hauled back on the yoke smoothly, accelerated, and waited for the bird to fl y off the runway, thinking smugly how Two must be appreciating my technique.
     Suddenly, my God! Right in front of me was a dim shape half on and half off the runway—the bare outline of a P-38, its wing right in my path. No room to swerve, no way to stop! I yelled and yanked back on the yoke. The airplane leaped straight up and off the runway. I snatched the gear handle up, then waited to settle back toward the runway, milking back pressure to keep the airplane from stalling and hoping to accelerate. There was only a slight bump, and then I was flying. I looked right for Two. He was nowhere to be seen. No time to call him.
     I got on the horn and screamed at the gang that runway 09 was partially blocked. “Everyone rolling: STOP, STOP! Do single-ship takeoffs, right side of the runway, and look out for a stuck bird. For God’s sake get a light on that thing before someone gets killed!”
     There was pure bedlam on the radio. Everyone talked at once. Someone tried to organize things but only added to the confusion. I inwardly cringed at the thought of our new group CO’s reaction to all this. Great way to impress Zemke. He’d have us all for lunch and bury the bones!
     I set course for France at the briefed time. What the hell, at least I knew where I was, and maybe would soon catch up with whoever had managed to cling to Highway Lead after takeoff. I called Newcross Blue Two and was relieved to hear his bewildered voice announcing he hadn’t a clue where I was. At least he had survived. Blue Three and Four were somewhere in that mess back on the ground, so I mentally wrote them off for the rest of the day. Blue would be a two-ship.
     South across the dark Thames and southern England I looked for the flashing lights of the lead squadron as well as for Blue Two. Nothing doing. I could tell parts of Bison Squadron were somewhere airborne by an occasional radio transmission, but that was all. I just kept on the briefed course for our target area and headed out over the blackness of the Channel, my head on a swivel.
     Dim white lines marching across the blackness below had to be waves breaking on the beaches below the cliffs at Fécamp on the Normandy coast. The minute hand on my watch confirmed my position. I was on course and on time as I crossed the coastline into France. The predawn black lightened as I flew steadily on toward Chartres, holding the briefed headings and speeds. The dim reflection of the Loire River flowing through Chartres was my first positive checkpoint, and I turned left 10 degrees to set course for Nevers on the banks of the Loire in Burgundy, about 85 miles and twenty minutes ahead.
     Suddenly, a stream of tracers passed off my left wing. I jerked mechanically, and surprisingly enjoyed my first sight of flak in the dark. Someone else was on the predawn shift. I fantasized that the gunner, whoever and wherever he was, must have been in the last stages of his night watch. His effort seemed listless at best. Maybe he knew he’d catch hell from his section sergeant if his unit had heard me pass and he didn’t react. No matter, I had expected to be fired at long before this. It was good to get the waiting over.
     Soon, objects on the ground took shape and I could pick up the more prominent landmarks. There was the Loire, with the canal paralleling it, then Nevers, right where it should be. I turned to the east, about 105 degrees, and in three minutes there was our initial point, three little lakes shining in contrast to dark earth near a place called Le Creusot.
     The sun wasn’t yet over the horizon but there was enough light to see that the pale sky was empty. Where was everyone? Chatter soon broke out, a rather prolonged discussion about the location of the target in relation to Bison Flight’s position. I knew damned well they weren’t where they were supposed to be, because I was there. It was clear from their chatter that they didn’t really know where they were in relation to anything except that they were over a river and the river was in France.
     Bison Lead decided they would turn south to find the target. South? That seemed dead wrong. I had just corrected to the northeast a little to be on course. If Bison was north of the rendezvous point, he would be at or near the target. If he didn’t see the target he had to be south of it. That assumed he and his people were reasonably close to course as they came in. The screwups just seemed to keep piling up.
     Rechecking my armament switches, I pushed up full power and headed for Chalon-sur-Saône all by myself. Sure enough, there was the ribbon of the Saône River catching the first glow of dawn. It had to be the Saône. And there was the gray darkness of the town with the bridge clearly visible against the river’s silver sheen. I lined up so I’d cross the target at about a 45-degree angle and came out of the west. My pass was shallow, more like a skip- bomb pass than a dive- bomb attack. The sight picture was good. Speed just right.
     There was time to remind myself: Don’t hit long, Robin, don’t hit the town. I wanted to hit the center span of the bridge, so when the gun sight pipper came up to the release point, I pressed the pickle button under my right thumb. There was a thump as the pair of 1,000-pound bombs left the pylons. I broke hard left and stayed down low to make myself as difficult a target as possible. An orange fl ash in my canopy’s rearview mirror told me the bombs had detonated. No flak. Must have caught the gunners sleeping late this morning.
     Once I was clear of the target there was time to burn, and apparently I had the whole of this part of France to myself. Truthfully, finding the rest of the group didn’t enter my mind. I stayed right down on the deck, as low as I dared, heading northwest. I throttled back, then tweaked the mixture and prop into auto-lean to save a bit of fuel. When the sun peeked over the horizon, I was paralleling a paved country road bordered by poplar trees and farmhouses set back behind hedges and stone walls. A ridge loomed ahead, running almost due north–south. The valley from my position, and all the way up the ridge, was totally covered with vineyards. Years later I would recognize it for what it was, the Beaune region: good Burgundy country. But not now. I was looking for something to shoot at, anything military: a convoy, a train, troops, anything.
     After several minutes of this, two dark shapes suddenly flew across the road left to right about a mile ahead of me. They were just a little higher than I was. I turned right to cut them off, got right down on the grass, pushed the mixtures into auto-rich, rammed the props to high, and shoved the throttles to the wall. My P-38 leaped ahead as though kicked by a mule. The cutoff angle was good and I could see I would be coming in behind the bogeys in short order. I still didn’t have a positive ID, but every instinct told me they had to be German. Instinct is no good when you’re coming up behind a target with a 20 mm and four .50 caliber guns armed and ready to shoot. It is particularly no good when your adrenaline is pumping. Patience, patience.
     I wanted those shadowy shapes to be Focke-Wulf 190s! My instincts told me they were Jerries, not a couple of Jugs out of 9th Air Force. Please, bogeys, please turn just a little. Give me an aspect where I can get a positive ID on you. I’m closing fast. There isn’t much time left. I pressed rudder and slid the pip-per onto the trailing aircraft’s left wing. Another second and suddenly I could see the Iron Cross on the side of the lead plane’s fuselage. No time left now. I squeezed the trigger. The wingman’s bird lit up with strikes, spewed heavy smoke, rolled inverted, and hit the ground with a huge explosion. I had to get the other 190 before he gained an advantage on me. He made a violent left break the moment his wingman was hit. I followed, staying inside his turn, knowing my left wingtip was no more than 20 feet off the ground. The g-forces came on hard but I was scarcely aware of them. I flew the pipper slowly through his fuselage, pulling ahead, trying to get about a 100-mil lead. I pressed the trigger in a short burst and watched as strikes moved down his fuselage. Perfect! Another burst, more strikes, and he suddenly pulled straight up. The canopy separated and the pilot came out as though he had a spring in his seat. His chute opened immediately and he swung under it. I had pulled up with him and rolled inverted in time to see his aircraft hit in the middle of a farmer’s fi eld. I rolled into a hard left bank and watched through the top of my canopy as the Jerry landed close to his burning aircraft. He started running as I came around my circle to point my nose at him. I dove at him and he flopped onto his belly. He thought I was going to strafe him. No such thing! I buzzed him there in the mud and pulled up to do two victory rolls. I hoped he saw them. Then I felt like an ass doing such a silly, damned-fool, kid thing like that. Obviously I’d read too much of Hogan’s G-8 and His Battle Aces and watched too much of Wings and The Dawn Patrol.
     The flight home was uneventful, except for a mixed feeling of elation, disbelief, and nagging worry. I hoped my camera had worked. Confirmation couldn’t stand on my word alone. That was a grim thought. The camera in the P-38 was mounted in the nose right under the 20 mm gun. It jiggered and bounced like crazy when the guns fired. Instead of getting a record of what was being shot at, it often quit, leaving kill claims unconfirmed. I also knew the circumstances would take some explaining. I didn’t want to be too closely questioned on how hard I might have tried to find the others or what I was doing roaming around Burgundy alone. I even wondered if I should mention the bridge at Chalon-sur-Saône. I thought I had hit it but hadn’t hung around to make sure. I never did join up with the rest of my flight. It was a lonely trip back with a lot of time to think.
     Sure enough, my debriefing was met with obvious skepticism. I didn’t press the point, just felt sick to my stomach. Then, Colonel Zemke walked into our squadron ready room. Uh-oh, I thought.  Here it comes. All of us knew that Hub wasn’t a man to be trifled with. His reputation as the leader of the famous Wolfpack had us totally in awe of him, to say nothing of the fact that he had more combat time than any of us had total flying time.
     He came up to me as I snapped to attention, looked me in the eye, and said, “You don’t know how lucky you are, Captain. I just got a call from the 355th Group. They were passing overhead and saw your engagement, the whole thing. Your two claims are confirmed.”
     I don’t remember if I whooped out loud in the colonel’s face, but I sure was whooping inside! I had kills. Two of them and confirmed. I was one lucky guy.
     It turned out no one asked a lot of questions about the bridge. I guess there was a bit of embarrassment over that. It seems the rest of the gang flailed away at a bridge, the wrong one, and the less said the better.
     What really got to me was learning how a pilot in one of the other squadrons had run off the side of runway 27 in the dark. His bird sank in the mud, so he just shut down the engines, climbed out, and made tracks. Obviously, two birds had become stuck, only no one knew about this second one till I almost hit it. When it was light out, the maintenance troops went to dig it out. They discovered a tire mark across the top of the wing that stuck out over the runway. The tire mark was mine. That had been the thump I’d felt. It took a while to calm down when I digested that one. Two P-38s loaded with gas and two 1,000-pound bombs each would have made a spectacular show. Someone told me they had a picture of that tire mark, but I’ve never seen it.
     Years later, in 1949, I drove through France down toward Cap d’Antibes with my wife to show her the sights. I went out of our way to go to Chalon-sur-Saône. That bridge had been on my mind ever since that August morning five years before. It was still there, but one-third of it had been repaired by stringing one of the U.S. Army’s Bailey bridges across a missing span. I took a picture, and then wondered who really cared. It certainly didn’t matter anymore. At lunch in a charming café by the river I asked the old waiter what had happened to the bridge. When he understood my bad French he became excited and told me a P-38 had come by itself out of the east, blown up the bridge, then disappeared. The Germans (Bosche, he called them) had been very unhappy about it. They had stomped and screamed, then gone the longer way around on their journey back to the Fatherland. That made me feel good, but I didn’t tell the old Frenchman I knew the pilot. I didn’t think he would believe me. Besides, the Nuits St.-Georges wine was perfect with our lunch, and I didn’t want to ruin the occasion by having my lovely wife disbelieve me, too.
     Decades after those first two kills, someone asked me if I had been frightened during that initial aerial combat. I had certainly thought about that subject a lot. No, I was never truly frightened, either in combat or in other flying situations. Sure, there were times when whatever was going on was damned scary, but I didn’t equate that with fright. I guess being momentarily scared, startled, or whatever is a natural reaction to danger. The old adrenaline pumps, your mouth turns dry, you pant, and if you don’t watch it your voice goes up about an octave. That’s a dead giveaway when you call out on the radio. You’ve just told the world you’re in the “excited” mode, and usually your condition is contagious. Everyone within range is apt to tense up. Sometimes that’s bad, sometimes it’s good. Fortunately, experience overcomes these reactions, and the measure of the true veteran fighter pilot is his ability to stay calm, no matter what. Tom Wolfe would later identify that as “the Right Stuff,” but I’m not sure he really understood where it comes from.
     To me real fear is something in a man that grows and festers. It may start with a bad scare, but if you don’t shake it off, it grows. It does not go away. It builds, day by day, hour by hour. It creeps into the soul, eats at his determination, and erodes his confidence and self-respect. I’ve seen it in many forms. One fellow may just simply go to pieces. He can’t sleep, wears a haunted look, avoids his friends. Others come down with all sorts of maladies, some imagined and psychosomatic, but some truly serious. Some cope by trying to overcompensate. They try to play the he-man, tough-guy role; they do things to prove their guts and balls. Those individuals often prove dangerous not only to themselves, but to everyone around them. You never know what they’re going to do in a given situation.
     I didn’t learn these things all at once. Initially, as I began to observe others and think about them in relation to my thoughts about fear, I tended to dismiss . . . no, that’s not an honest word— I tended to look down on the men who didn’t seem to match my youthful, simplistic impression of fighter pilots. I held an image of warriors as keen, fearless, steely-eyed gladiators of the wild blue. In my immaturity, I considered the few who did not measure up to be weaklings with annoying personality problems who were upsetting the unity of the squadron. But in combat, time is compressed, life passes swiftly, lessons are driven home, and regardless of your age or immaturity, your perspective on life evolves. Your understanding of what men do and what you are capable of changes. What you find easy, some may endure a mighty struggle before accepting. Apprehension conquered and mastered is quite different from fear that debilitates.

 

Copyright Robin Olds with Christina Olds and Ed Rasimus 2010

Most helpful customer reviews

190 of 196 people found the following review helpful.
Rockin' Robin
By AdamSmythe
This is a substantial book (about 400 pages) about the life of one of the most famous fighter pilots of all time, Robin Olds. It is largely a compilation of Olds' diaries, documents, letters, articles, etc, put together by his daughter, Christina Olds, after Robin's death in 2007. Indeed, before he died, Robin and Christina were able to share a fair amount of time together in preparation for the completion of his unfinished memoirs. Appropriately, the book is written in the first person. It's a well written book, not because it contains highly polished writing (it doesn't), but rather because it reads as you'd expect it to read coming from a maverick fighter-pilot. (I was fortunate to hear Robin Olds speak a number of times, and this book is true to his rather abrupt style of speaking.)

The book begins right where you'd expect a fighter pilot to begin--in the air, in combat ("We had been taking the war to Hitler...")--but then settles back to develop Olds' life story, starting from the beginning. His mother died when he was four, and he grew up the son of an Army officer. (There was no Air Force at that time.) The reader learns about his interest in football (6' 2", captain of his high school team, later played for West Point--including once in front of 100,000 fans at an Army - Navy game, back when that game was a big event to all sports fans).

The heart of this book, like the main theme in his life, is flying, especially in conflict. Olds flew P-38s and later transitioned to the marvelous P-51 (with the Merlin engine) during World War II. On his second P-51 training flight he almost crashed the aircraft trying to land (they didn't call it the Mustang for nothing). His experiences in Europe during World War II and his Air Force career thereafter read almost like a stream-of-consciousness. D-Day. His kills. His eye for women. Taking command of a fighter squadron. V-E Day. His temper. Life in the fast lane. The P-80. His marriage to Hollywood star Ella Raines. Exchange duty with the Royal Air Force, reportedly becoming the only U.S. Air Force officer to command a RAF squadron. The F-86. And so on.

Olds tried hard to get assigned to combat duty during the Korean War, but apparently his wife (and her TV directors) managed to persuade Laurence Rockefeller to use his considerable political influence to get Olds' name off the Korea assignment list every time it came up. Olds almost resigned his commission in 1952 to become a civilian test pilot, but remained on active duty. Then, more stream-of-consciousness. Libya. An assignment to the Pentagon. And more.

But then there was the Vietnam War. Olds was assigned to the 8th Tactical Fighter Wing at Ubon Royal Thai Air Force Base, where he (and close friend Chappie James) became a legend. In preparation for this combat assignment in the F-4C, Olds describes wanting to experience the F-4's noted "adverse yaw" on only his second training flight. In doing so, he lost both engines and almost his life. He wrote, "If I had been a North Vietnamese pilot, I would have been an ace ten times over." (He was only an ace once in the Vietnam War.) The reason he said that was that while the F-4 could fly at Mach 2, dogfights typically don't take place at supersonic speeds, and there was no way an F-4 could turn with a MiG-17. On the cover of the book is a famous photo of Olds being carried on the shoulders of his men--tears in his eyes. Robin Olds was seemingly made for commanding men in combat, and he did that very well. His men loved him, and that probably says it all. Speaking of photos, there are about 16 pages of black-and-white photos in the book that bring back lots of memories.

After returning from the Vietnam War, Olds was promoted to Brigadier General and made Commandant of Cadets at the Air Force Academy, after he shaved off his trademark handlebar mustache. (One of his cadets was Sully Sullenberger.) He tells of an experience when an F-105 was brought to the Academy to be dedicated as a reminder of all those who fought in the air above Vietnam. A flight of F-105s flew over the 4,000 cadets assembled before lunch, and these aircraft accidentally broke the sound barrier, resulting in the equivalent of millions of dollars of broken glass (in today's dollars). I was there at the time, and it was an unforgettable experience.

In closing this review, I'd like to relate one personal experience about Robin Olds. It was during the time he was Commandant of Cadets at the Academy, and he was talking to an auditorium of cadets. While he was speaking, he spotted one cadet with his foot resting on top of a chair. From the stage, Olds proceeded to chew out this cadet for not sitting up straight. When he asked the terrified cadet whether he had anything to say for himself, the cadet responded that his leg was in a cast, and he could not sit up straight. Olds replied, "Well, I'm sure I've been embarrassed this much before--but I really can't remember when." Everyone laughed, and Olds went back to his lecture as if nothing had happened. That's the way I'll remember him: intense, yet human.

56 of 59 people found the following review helpful.
A must read for all members of the US Air Force.
By Christopher C. Cline
I arrived at the 8th TAC Fighter Wing at Ubon, Thailand a year after Robin had left the base. People on base would tell me you should have been here when Robin was the Wing Commander. I enjoyed the fact that the writers didn't try to make the book a PC product, they illustrated the real Robin Olds, crusty words and all. If you love flying and want a good account of what we do in the US Air Force then please buy this book, you will have a hard time putting it down. Chris Cline, MSgt, Ret. USAF, Overland Park, KS

58 of 62 people found the following review helpful.
Absolutely AWESOME!!!
By Christopher Charney
In a word-AWESOME!!! This is the incredible story of one of, if not "the" greatest combat flying wing commanders that has ever graced our presence. Robin Olds was a larger-than-life character who flew hard, fought hard and played hard. Imagine a story where a young boy grows up with many of American aviation's greats (Billy Mitchell, Tooey Spaatz, Hap Arnold, and Jimmy Doolittle) hanging around his father's house. With all that influence and exposure, it's no wonder Robin Olds developed into a great fighter pilot and a great combat leader. Then imagine that young boy being accepted into West Point. Robin played football at West Point (offense and defense), becoming an All-American. He then went off to pilot training, and made it into World War II, becoming an ace in both the P-38 Lightning and the P-51 Mustang (13 aerial victories, and 107 combat missions). But the story does not stop there. Robin Olds went on to marry a beautiful movie star, and take command of one of the RAF's first jet squadrons. Somewhere in between here and Vietnam, he found time to father two beautiful daughters; the loves of his life. Robin Old's combat leadership in the 8th Tac Fighter Wing in Vietnam is legendary. He went on to shoot down four MiGs, bringing his total count to 17 aerial victories. After fighting his way through 152 missions, Robin Olds would become Commandant of Cadets at the U.S. Air Force Academy. Sound too good to be true? Well not for Robin Olds. 'Fighter Pilot' is action packed from the beginning. Readers will experience the thrill of flying into battle in some of the greatest American fighter planes. And they will learn the finer points of great combat leadership. What a great movie this book would make.

The efforts of Robin's daughter Christina also cannot be overstated. As Robin Old's life neared its end, Christina spent many long hours discussing the stories in this book with her father. She read through page after page of reports, diaries, letters, articles and stories, in an effort to capture the essence of her father's story, from her father's perspective. This was no small undertaking. And the result is simple outstanding. Buy this book. You won't be disappointed, and you won't able to put it down.

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Thursday, July 22, 2010

[K287.Ebook] Ebook Download Mentoring and Coaching in Schools: Professional Learning through Collaborative Inquiry, by Suzanne Burley, Cathy Pomphrey

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Mentoring and Coaching in Schools: Professional Learning through Collaborative Inquiry, by Suzanne Burley, Cathy Pomphrey

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Mentoring and Coaching in Schools: Professional Learning through Collaborative Inquiry, by Suzanne Burley, Cathy Pomphrey

Can mentoring and coaching really improve professional practice? How can research and inquiry improve mentoring and coaching practice?

Mentoring and Coaching in Schools explores the ways in which mentoring and coaching can be used as a dynamic collaborative process for effective professional learning. It demonstrates how the use of practitioner inquiry within mentoring and coaching relationships in schools results in professional learning which is both transformative and empowering for teachers.

The book sets out a new model for mentoring and coaching which is centred on a process of critical inquiry and shows teachers how they can use this model to carry out their own collaborative inquiries. Features include:

  • reflective questions, guidelines, task and templates to help collect evidence and evaluate inquiries
  • detailed case studies focusing on teachers at different stages in their career
  • practical guidance on carrying out practitioner inquiry and research
  • an analysis of learning outcomes resulting from different coaching and mentoring relationships.

This timely text will be valuable reading for coaches and mentors in secondary schools, teachers undertaking continuing professional development and students on coaching and mentoring courses.

  • Sales Rank: #5139604 in Books
  • Published on: 2011-04-22
  • Released on: 2011-03-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .35" w x 6.14" l, .55 pounds
  • Binding: Paperback
  • 152 pages

About the Author

Suzanne Burley is Academic Leader for Teacher Education and Professional Learning at London Metropolitan University.

Cathy Pomphrey was Academic Leader for Initial Teacher Education at London Metropolitan University and now works as an education consultant.

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Thursday, July 15, 2010

[G561.Ebook] PDF Ebook Letting Go of the Words, Second Edition: Writing Web Content that Works (Interactive Technologies), by Janice (Ginny) Redish

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Letting Go of the Words, Second Edition: Writing Web Content that Works (Interactive Technologies), by Janice (Ginny) Redish

Web site design and development continues to become more sophisticated. An important part of this maturity originates with well-laid-out and well-written content. Ginny Redish is a world-renowned expert on information design and how to produce clear writing in plain language for the web. All of the invaluable information that she shared in the first edition is included with numerous new examples. New information on content strategy for web sites, search engine optimization (SEO), and social media make this once again the only book you need to own to optimize your writing for the web.

  • New material on content strategy, search engine optimization, and social media
  • Lots of new and updated examples
  • More emphasis on new hardware like tablets, iPads, and iPhones

  • Sales Rank: #38913 in Books
  • Brand: Brand: Morgan Kaufmann
  • Published on: 2012-08-28
  • Released on: 2012-08-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .87" w x 7.50" l, 1.83 pounds
  • Binding: Paperback
  • 368 pages
Features
  • Used Book in Good Condition

Review

"For anyone who works in e-learning, I strongly recommend Letting Go of the Words. It will transform how you communicate online. After reading it, the bad practices will leap off the page." -e.learning age, Nov 2014

About the Author
Janice (Ginny) Redish has been helping clients and colleagues communicate clearly for more than 20 years. For the past ten years, her focus has been helping people create usable and useful web sites.

A linguist by training, Ginny is passionate about understanding how people think, how people read, how people use web sites - and helping clients write web content that meets web users' needs in the ways in which they work.

Ginny loves to teach and mentor - and to practice what she preaches. She turns research into practical guidelines that her clients and students can apply immediately to their web sites.

Ginny's earlier books received rave reviews for being easy to read and easy to use, as well as comprehensive and full of great advice. She is co-author of two classic books on usability:
* A Practical Guide to Usability Testing (with Joseph Dumas)
* User and Task Analysis for Interface Design (with JoAnn Hackos)

She is also the author of the section on writing on www.usability.gov.

Ginny's work and leadership in the usability and plain language communities have earned her numerous awards, including the Rigo Award from the ACM Special Interest Group on the Design of Communication and the Alfred N. Goldsmith Award from the IEEE Professional Communication Society.

Ginny is a Fellow of the Society for Technical Communication and a past member of the Board of Directors of both the Society for Technical Communication and the Usability Professionals' Association.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Interesting read
By Danny Diaz
Book had some good tidbits but no earth shattering moments for me. A lot of the info I've read in other books. Definitely a bigger focus on the writing of web content for sure.

20 of 21 people found the following review helpful.
FORGET ABOUT IT!!
By COSMIC TRAVELER
Are you waking up at night worrying about strategy and tactics? If you are, then this book is for you! Author Janice (Ginny) Redish has done an outstanding job of writing a second edition of a book on how to help you have great conversations through your web site, mobile app, social media, and whatever future innovations encourage interactions between you and others.

Author Redish, begins by showing you how to have good conversations through your web site. In addition, the author delves into why planning your content is critical for apps, web sites, individual web topics, blogs, social media messages, and everything you write. She then discusses how to integrate content and design from the beginning. The author then, shows you how to consider the entire site. She continues by looking at the size of your site; if it is large enough, then you may need pathway pages between the home page and the information people want. In addition, the author tackles four important guidelines: Think information, not document; divide your content thoughtfully; consider how much to put on one web page; and, use PDFs sparingly and only for good reasons.
She then continues to focus on not hogging the conversation within a single web topic. Next, the author reminds you how to combine labels with more information. Then, she shows you how to choose a good heading style: questions, statement, verb phrases, etc. The author continues by looking at how to write the paragraphs, sentences, and words of your web content. In addition, she encourages you to use numbered lists for instructions as much as possible. Next, the author warns that you should not make program or product names links by themselves. She then describes what makes illustrations work well, or not work well. The author continues by showing you how to negotiate successful reviews and edits. Finally, she shows you how to do usability testing of the content.

This most excellent book will help you create great content. Perhaps more importantly, this book shows you how to meet your business goals by satisfying your site visitors' conversations through usability testing.

12 of 14 people found the following review helpful.
Content is missing from the ebook
By L. Mayo
If you're using this book for a college class (as I was), be sure to buy the paperwork version. Content (persona scenarios, for example) are missing from the ebook version. I tried the ebook from both Google and Amazon, and the content was visible in Google's online ebook viewer, but it was not visible in the downloadable version, and the same was true for Amazon.

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Monday, July 12, 2010

[K291.Ebook] Fee Download Setting Stones in Metal Clay, by Jeanette Landenwitch

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Setting Stones in Metal Clay, by Jeanette Landenwitch

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Setting Stones in Metal Clay, by Jeanette Landenwitch

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Setting Stones in Metal Clay, by Jeanette Landenwitch

Metal clay offers innovative possibilities for setting gemstones that would be difficult or even impossible with conventional jewelry techniques. The author describes dozens of ways to set stones, including bezels, prongs, pavé, and channel settings. Each technique is presented with clear instructions and helpful illustrations, in many cases augmented with jewelry that demonstrates the exciting possibilities.

  • Sales Rank: #970872 in Books
  • Published on: 2009-01-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.50" h x 7.75" w x .50" l, .1 pounds
  • Binding: Spiral-bound
  • 120 pages

About the Author
Jeanette Landenwitch has been working with her hands all her life. This led her first to an education in interior design, then into a career as a seamstress and clothing designer. For the last ten years, her focus has been on making one-of-a-kind jewelry in silver and gold. She teaches workshops around the world and since 2003 she has been the Executive Director of the PMC Guild International. She lives with her husband Dave in the midwest.

Most helpful customer reviews

13 of 13 people found the following review helpful.
Great stone setting book
By Islandbeader
If you have been working with silver clay and want to learn how to set stones in your pieces, this is the book for you!! Jeanette Landenwitch has done an excellent job of describing the many ways to set stones, including a list of the stones that can safely be fired in place in the clay, and those that must be set after the silver has been fired. A chapter on tools and materials discusses the tools needed for this work and how they are used, including the various ways to solder. This is followed by a chapter to help you decide the best setting for your particular type of stone, including how to calculate and allow for clay shrinkage. The chapter on bezels includes discussions on how to make bezels from clay, PMC sheet, syringe clay, bezel strip, and how to use purchased bezel cups. I had no idea there were so many different ways to make bezels. This is all followed by a chapter on the design and use of prongs, again made many different ways. The final chapter covers the use of posts, straps, pave, trapped settings, stone inlay, channel work, chip inlay, channel setting and combinations of various settings.

Rather than photographs to illustrate the thorough directions, drawings by Tim McCreight illustrate the various steps. And scattered throughout the book are photographs of beautiful work done by many well-known clay artists. Six artists then describe how they made a piece with set stones. And Tim McCreight uses photos to illustrate how to make a brooch with a malachite cabochon and two moonstones.

27 of 27 people found the following review helpful.
A great book for your PMC library
By A. Herber
I teach Jewelry and metalworking at a college and have introduced PMC as part of the casting segment. Although this method has not been sanctioned by the state as part of the curriculum, I still include it. I have been reading numerous books on this process and this book by far has the best explanation on setting stones, it goes in great detail and offers good advice. For any individual that is serious in PMC this is an important reference book to have.

2 of 2 people found the following review helpful.
A very Useful and Interesting Book
By book worm
Over 40 methods, techniques and variations for creating settings, each with clear instructions, drawings and examples make this a very special book.
The author states that 'the goal of this book is to expand your repertoire of stone setting options, specifically for use with PMC.' I set out with this in mind as I wanted to find an answer to the question: Does the book come up to this goal?
I found that it does just that.

The book also helped to update my knowledge of the English language: in the list of gem stones I came across the word 'iffi' which I had never yet come across. I found that it means: it might- or might not work. A very useful word,so I suggest that you add it to your vocabulary.

The chapter GEM STONES is a no-nonsense text. It covers the most important things a metal clay worker should know. It includes a list of tests run by the author.
The more I read, the more enthusiastic I became. There was much to try out and much to choose from. This kept me busy for a considerable time.
The final chapter: 'The work behind the work' gives an interesting view on the way in which several artists work. This chapter culminates in Tim McCreight's 'Steps in making a brooch with stones'.
Recommended.

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Saturday, July 10, 2010

[Q630.Ebook] Ebook Free Collins Junior Dictionary (Collins Primary Dictionaries)

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Collins Junior Dictionary (Collins Primary Dictionaries)

  • Published on: 1600
  • Binding: Paperback

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Friday, July 2, 2010

[D484.Ebook] Download PDF Drawing Samples for Copying / Obraztsy Dlya KopirovaniyaFrom 4art

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Drawing Samples for Copying / Obraztsy Dlya KopirovaniyaFrom 4art

This unique album presents drawings made by best Russian Academy students in 18-19 centuries. Many of these drawings, which were kept in the Academy Museum for centuries, were given to other museums and libraries after the 1917 Revolution and thus were lost for the Academy forever. For the first time these drawings are collected together in one publication that not only presents perfect reproductions but - thanks to modern technologies - provides unique closeups of all of the drawings printed there. === FROM THE PUBLISHER === A creation of this album was made possible by a tremendous work done by its originator Prof. V.A. Mogilevtsev who within two years was searching for and selecting works from museums and archives of the Academy of Arts, the Russian State Museum and the Tretyakov Gallery. As a result of his effort was a possibility to finally present many very valuable and unique drawings, which are often stored in archives and appear on public display only during major exhibitions. Enlarged details of all illustrations in this book provide a unique opportunity for studying and copying even the smallest details of drawings. Large format book, matte coated paper, hard cover, bi-lingual edition (Russian and English), 132 pages with 155 of highest quality images. -- About Author: V. A. Mogilevtsev is a leading professor and a Head of the Drawing Department at the Russian Academy of Arts (aka Repin Institute), where he is teaching senior students since 1995. In 2011 Professor Mogilevtsev received Gold and Silver Medals of the Russian Academy of Arts for his teaching achievements and for his books Academic Drawings & Sketches (ISBN: 978-5904957018) and Fundamentals of Drawing (ISBN: 978-5903733018).

  • Sales Rank: #1806263 in Books
  • Published on: 2013-08-01
  • Binding: Hardcover
  • 132 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Worth it!
By El Sooko
This is an excellent book. Physically, it's bound to last and of museum quality. It's also easy to use for copying and for appreciating. I've got the drawing intro and the same can be said of that. Pricey but worth the money for the serious student of classical art who can later keep it as a great reference book and coffee table display.

0 of 0 people found the following review helpful.
The service was great.
By Lynn Larsen
Again, I couldn't read the text because is was in Russian. I had to have a translator, but the drawings were well worth it for me. The service was great.

0 of 0 people found the following review helpful.
Five Stars
By David
Excellent reproductions for copying

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