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Saturday, November 6, 2010

[E230.Ebook] Free PDF Dr. Faustus (Dover Thrift Editions), by Christopher Marlowe

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One of the most durable myths in Western culture, the story of Faust tells of a learned German doctor who sells his soul to the devil in exchange for knowledge and power. Early enactments of Faust's damnation were often the raffish fare of clowns and low comedians. But the young Elizabethan playwright Christopher Marlowe (1564–1593) recognized in the story of Faust's temptation and fall the elements of tragedy.
In his epic treatment of the Faust legend, Marlowe retains much of the rich phantasmagoria of its origins. There are florid visions of an enraged Lucifer, dueling angels, the Seven Deadly Sins, Faustus tormenting the Pope, and his summoning of the spirit of Alexander the Great. But the playwright created equally powerful scenes that invest the work with tragic dignity, among them the doomed man's calling upon Christ to save him and his ultimate rejection of salvation for the embrace of Helen of Troy.
With immense poetic skill, and psychological insight that foreshadowed the later work of Shakespeare and the Jacobean playwrights, Marlowe created in Dr. Faustus one of the first true tragedies in English. Vividly dramatic, rich in poetic grandeur, this classic play remains a robust and lively exemplar of the glories of Elizabethan drama.

Sales Rank: #87107 in eBooks
Published on: 2012-03-05
Released on: 2012-03-05
Format: Kindle eBook

Review
"This edition is absolutely essential for any serious student or teacher of this perpetually intriguing and vexing play." (Peter G. Platt Studies in English Literature 48.2 (Spring 2008) )

"Michael Keefer's revised edition of Marlowe's Doctor Faustus is now all the more an indispensable text for students, teachers, and scholars of early modern English drama. It combines immense learning with perfect clarity and accessibility. It gives us a solidly reconceived text and also a brilliant historical introduction that fills each line of this strange and moving play with the sounds of a world in intellectual and religious crisis." (Paul Yachnin ) --Paul Yachnin

From the Publisher
This is a full cast production with sound effects and original music produced at the Canadian Broadcasting Centre.

Length is approximately 2 hours.

Most helpful customer reviews

83 of 96 people found the following review helpful.
The English Faust
By Dmitrij Gawrisch
Not everybody knows Faust(us). But a lot do. Most readers know this tragic personnage who allied himself with the devil and finally paid the price for his betrayal of God from a famous play written by J.W. Goethe. It was him who wrote the most famous version of Faust's history. (If you want to know more about Goethe's work, please visit my reviewer page.) But he wasn't the only dramatist who considered this lost magician worth a tragedy. Exactly 2 centuries and 1 year before Goethe published his work, a play by the Englishman Christopher Marlowe saw the light of the world.
Marlowe and Goethe are different personalities living in completely different times so that it's no wonder their plays vary in character. Goethe lived in prosperity and had all his life to think about subjects like human nature, social relationships, history and its influence on the present, love, religion and much more. He was a philosoph, and that's the reason why Goethe's "Faust" is sometimes difficult to understand because you have to dive under the surface of things to understand their true nature. Marlowe's work is different: This man was certainly very intelligent and knew a lot about the forces that moved the world, but, unlike Goethe, he didn't have a lifetime to think about one single play. You can imagine that Marlowe's "Faust" became more shallow, but still not shallow enough to be ignored by this imaginary institution we call World Literature. As a compensation, Marlowe's work contains more life and action in it, something I can't say about Goethe's. Both men were geniuses. In this review, I'd like to pay my tribute to the Englishman.
As stated above, the play tells the story of a medieval scientist who allies himself with the devil. The latter promises to serve the first in this world, whereas Faust must do the same in hell. The poor doctor doubts his choices because it's his soul being sold, still he follows the devil and has the time of his life. I beg your pardon, for I feel the need to return to Goethe to show you another important difference between both versions: Whereas Marlowe's Faust wants the devil to provide him with fun and all richness of the world (materialism), Goethe's alter ego feels the importance to be educated by the devil to get a complete picture of the world. At the end, Marlowe's Faust realizes that all experiences weren't worth his soul. He begs God to save him, but it is no longer possible. The devil tears his body apart and takes his soul with him to infinite sufferings.
The effect this play had on me was tremedous. Fascinated, I watched Faust's development. I particularly liked the 5th act where he realizes that all is finally lost. You can really feel his pain in those scenes; the effect is unbelievable.
So, if you want to be touched by human tragedy, I really advise you to read this book. It's done very quickly, so you needn't worry about the time it takes. If you want to make a step further and find additional material on Faust, read Goethe's "Faust 1" as well as Thomas Mann's "Doctor Faustus". It's a marvelous novel and the most modern narration based on the medieval German scientist named Johann(es) Faust(us).

36 of 40 people found the following review helpful.
The Best Retelling of the Faust Legend
By A Customer
In the Faust legend, a man by the name of Faust or Faustus sells his soul to the devil for twenty-four years of worldly power. This legend has been told many times over by such writers as Goethe and Mann, but no doubt the most famous retelling, and probably the best, is the play, Doctor Faustus by Christopher Marlowe.
The most prominent influence on Marlowe's version of the Faust legend was the social upheaval during the time period in which it was written. Doctor Faustus was probably first performed in 1594, a time of tremendous change in Europe. The Medieval times were over and the Renaissance was beginning, however, influences of both times can be found in the play. Doctor Faustus is a transitional play where beliefs from both time periods intermingle, sometimes with disastrous results.
Doctor Faustus, himself, is a man torn between two traditions. He is a man with medieval beliefs, but renaissance aspirations. When he first attempts to conjure Mephistopheles, Faustus believe that Mephistopheles was forced to come by his (Faustus's) words. In response, Mephistopheles says, "for when we hear one rack the name of God, abjure the Scriptures and his savior Christ, we fly in hope to get his glorious soul." Mephistopheles has, of course, come of his own accord, because he feels that there is a soul to be had. He states this blatantly, yet Faustus is clouded by his old beliefs and also by his desires.
From a medieval point of view, Doctor Faustus can be looked upon as a morality play; a play about one man who aspires beyond his God-given place in the world. On the other hand, from a renaissance perspective, this play is a tragedy. The Renaissance was a time of individuality unlike the Middle Ages where a man was trapped in whatever social class into which he was born. Faustus is "an essentially good man" by Renaissance ideals who believes he has reached the end of human knowledge and is thus justified is using the black arts to further his knowledge. As in most classical tragedies, his downfall is complete and is due to his pride.
After Faustus makes his deal with Lucifer, the question must be asked: Is there any way back for him? Faustus believes he is damned at the moment that he signs his name in blood, although he has many chances to repent during the course of the play. The first chance comes after his first conjuring. He says, "O something soundeth in mine ear, 'Abjure this magic, turn to God.' Aye, and Faustus will turn to God again. To God? He loves thee not." Something is pleading for Faustus to repent, but Faustus remains firm in believing God has already condemned him. Each time the Good Angel appears is yet another chance for Faustus to repent, but the Evil Angel continues to threaten him if he even thinks about repenting. If it were not possible for Faustus to save his soul, then the Evil Angel and his demons would have simply left Faustus alone to cry out in anguish to God.
The final indicator that Faustus could have been saved at any point over his twenty-four year bargain is given by Mephistopheles, himself, as Faustus's fate is sealed beyond irrevocability.
Christopher Marlowe's brilliant retelling of the Faust legend springs not only from his own creativity, but from the times in which he lived. Marlowe's life and times allowed him to create the greatest retelling of one of Western cultures more timeless stories. When put to words, the legend seems so simple, yet its possibilities and implications, as Marlowe proves, can be nothing less than monumental.

30 of 34 people found the following review helpful.
Yes, the English Renaissance CAN be humorous!
By Bob Lehner
Christopher Marlowe is a genius. This thorough, Oxfordiancompilation of his best known plays contains Tamburlaine the Great parts one and two, the Tragical History of Doctor Faustus in its original A-text and its later B-text, The Jew of Malta, and Edward II. The beauty of these dramas lies in the fact that they're short but powerful reading pieces. In five acts Marlowe was able to generate a story complete with action, classical allusions, and a bawdy humor one might not expect from otherwise generally classified stuffy English Renaissance drama. This book contains an exhaustive introduction that explains many details of the publication dates of the plays and the differences between versions (Faustus). It also contains a thorough section for notes that further explain the texts. Finally, it contains a glossary of the commonly used words from the texts. The bottom line? This book is a great read--it's funny (I can't begin to stress that enough), and you will appreciate Marlowe's wit and talent just as much as William Shakespeare did. Buy it today!

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Thursday, October 21, 2010

[Y654.Ebook] Ebook Of all things, by Robert Benchley

Ebook Of all things, by Robert Benchley

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This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Published on: 2010-08-05
Original language: English
Number of items: 1
Dimensions: 9.69" h x .54" w x 7.44" l, 1.03 pounds
Binding: Paperback
258 pages

From Library Journal
Published in 1922 and 1921, respectively, these collections of Benchley's humorous essays feature his observations on daily life, ranging from marriage, business, and gardening to newspapers, opera, trout fishing, and even toothaches. The jokes no doubt are a bit dated, but human nature doesn't change that much.
Copyright 2001 Reed Business Information, Inc.

From the Publisher
A brightly appealing collection of inimitable comic essays by a whimsical master of American humor. Originally published in 1921, Of All Things! and a companion volume, Love Conquers All, published in 1922 and also available now in a Common Reader Edition, were the first books by a true American original, one whose wry, befuddled, and gently exasperated outlook on life can never go out of date.

About the Author
Robert Benchley, 1899 - 1945 Writer and actor Robert Benchley was born on September 15, 1899 in Worcester, Massachusetts. Benchley was best known for being a humorist and comedian. While an undergraduate at Harvard University, he gave his first comedic performance impersonating a befuddled after-dinner speaker. He became a campus celebrity and he landed the position of editor of the Harvard Lampoon. Benchley worked as a drama critic at Life magazine in 1920. Under the pseudonym Guy Fawkes, he wrote The Wayward Press column for The New Yorker. He also briefly served as managing editor for Vanity Fair where his lieutenants were Dorothy Parker and Robert E. Sherwood. He quit in protest to the firing of Parker. The three of them were among the regulars of the Algonquin Round Table, which was a social circle of New York wits that included Harpo Marx and George Kaufman. As a member of the Algonquin Round Table, he became a poplular radio personality, film actor and screenwriter. Several of Benchley's humorous monologues were performed in short films, which include "The Treasurer's Report" (1928). His comic sketches were collected in fifteen volumes, including "My Ten Years in a Quandary, and How They Grew" (1936) and "Benchley Beside Himself" (1943). His son Nathaniel edited a collection of his essays, "The Benchley Roundup" (1954) and published a biography of his father in 1955. Robert Benchley died in 1945.

Most helpful customer reviews

21 of 21 people found the following review helpful.
Benchley never fails to please.
By Amazon Customer
This collection of Benchley's writings, appearing in magazines prior to 1920 or so, pleases the reader on several levels. There are articles whose humor hasn't faded in the 80 or more years since they were written such as "Coffee, Megg and Ilk," or "The Passing of the Orthodox Paradox," containing a nice parody of Oscar Wilde's plays. I think these are as funny to us as they were to the readers when they were written. There are others, such as "Lesson Number One," that tells about learning to drive at a time when an automobile was as exotic a possession as, say, a home computer in the early 1990s. These are funny in a different way, and I enjoyed reading them even though the things they laugh at are decades out of date.

Anyone who has suffered through learning to play bridge will enjoy "Not According to Hoyle," and those who sympathize with the record number of Americans finding it hard to pay all their bills will delight in "Turning Over a New Ledger Leaf." Those who read old literature will get a kick out of his pastiche of annotated Shakespeare in "Shakespeare Explained," and anybody who has read a novel in which the plot is advanced by letters exchanged between two viewpoint characters will laugh at "When Genius Remained Your Humble Servant."

All in all, an excellent collection of humor writings not available elsewhere.

11 of 12 people found the following review helpful.
Five stars for Benchley, two stars for this edition
By Hal Jordan
I've loved Benchley since I stumbled on a collection of his short pieces in my father's library as a kid. Like any writer who turns out material in such volume, the entries are a bit hit or miss, and they should definitely be read a few at a time, rather than straight through. But at his best, Benchley was both a hilarious writer and a keen observer of the passing parade. The fact that these pieces were written 90 or more years ago doesn't detract from enjoying them. In fact, some of the most dated pieces are the best.

Unfortunately, this Kessinger reprint edition isn't of the highest quality. Here is their disclaimer from the front:

"Due to the very old age and scarcity of this book, many of the pages may be hard to read due to blurring of the original text, possible missing pages, missing text, dark backgrounds and other issues beyond our control."

Not too clear why these issues are beyond their control. In the case of this book, the main problem is that they have reprinted the original in reduced size. I have no idea why that would have been necessary. Every page has two-inch margins on each edge and type that is reduced in size to an extent that might cause a problem to anyone with vision difficulties. Otherwise, the reproduction is pretty good and I didn't detect any missing pages or missing text. As you can see, Kessinger has also replaced the original cover with a very nondescript one. One final problem is that my copy arrived a bit scuffed up. Whether that is a problem with Kessinger or with Amazon, I don't know.

So, if you like Benchley and don't otherwise have access to this book, buying this edition may be worth it. If Kessinger had done a better job of reprinting it, the book would have my unreserved recommendation.

1 of 1 people found the following review helpful.
A Composite Review of Books By & About Robert Benchley [1889-1945]
By Donald P. Reed
14 Robert Benchley titles, as of 01/25/16: Eleven Benchley clip books; his son's biography (12); "Wayward Press" (13) & "Benchley At The Theatre" (14) were added on 12/16/15 to this revision of "A Composite Review of Books By & About Robert Benchley [1889-1945]," originally sent / accepted 12/10-11/15; revised 01/25/16)

"You may think that you are not superstitious, but would you walk under a burning building?"

--- from "Good Luck, And Try & Get It" ("Chips Off The Old Benchley")

I was staggered when I read, in Nat Benchley's "The Benchley Roundup," that his father had written at least "a thousand" published pieces of humorous satire.

In so doing, Robert became America's most popular / famous wit of writ since Mark Twain. When he formally announced his retirement as a humorist in 1944, the doleful news was presented on the front page of The New York Times. During wartime.

(He had already ceased writing humor columns years prior to 1944. Overall, I found out that trying to identify the dates of original publication of his columns was a fool's errand. Short of weeding through each biography & related publications & setting up a chronological study, for which I will reluctantly accept the payment of $1,000 an hour as a consultant, what follows suffices.)

For many years, I've owned & re-read from time to time, "Benchley - Or Else!" & "Inside Benchley," collections of his columns. Recently, the compulsion to acquire what turned out to be almost all of his books took precedence over common sense, as it is now realized without regret.

I had had no idea that there had been that many. I also didn't anticipate that it would be almost impossible to find out in which years each column was originally published.

Here are our current Benchley library members:

1) After 1903 --- What? Robert Benchley (with illustrations by Gluyas Williams, & 16 photographs); Harper & Brothers (1938 hardcover)

2) Benchley At The Theatre, Dramatic Criticism 1920-40, Charles Getchell, Ed.; The Ipswich Press (1985 hardcover)

3) Benchley Beside Himself, Robert Benchley (with Drawings by Gluyas Williams); Harper & Brothers (copyrights 1921, 1922, 1925, 1927, 1928, 1930, 1943; hardcover).

4) Benchley - Or Else! Robert Benchley (with Drawings by Gluyas Williams); Harper & Brothers (1932, 1934, 1936, 1938, 1947 hardcover)

5) Chips Off The Old Benchley, Robert Benchley (with an Introduction by Frank Sullivan & drawings by Gluyas Williams); Harper & Brothers (Estate of RB; 1949 hardcover)

6) Inside Benchley, Robert Benchley (Pictures by Gluyas Williams); Harper & Brothers (1921, 1922, 1925, 1927, 1928, 1942 hardcover)

7) Love Conquers All, Robert Benchley; Blue Ribbon Books Reprint Edition 1947 by special arraignment with Harper & Brothers; orig. copyright, 1922, by Harper Brothers (hardcover, with illustrations by Gluyas Williams)

8) My Ten Years In A Quandary, & How They Grew, Robert Benchley; "Blue Ribbon Books... published by arrangement with Harper & Brothers... copyright 1936... [B.R.] Books Edition... [15th] Printing, February 1939" (contains drawings by Gluyas Williams; hardcover)

9) Off All Things! Robert Benchley; Garden City Publishing Co., Inc. (1921 hardcover; contains drawings by Gluyas Williams)

10) Robert Benchley, A Biography, Nathaniel Benchley (Foreword by Robert Sherwood); McGraw-Hill Book Co., Inc. (1947, 1948, 1954, 1955 2nd printing hardcover; illustrated with photographs & one Gluyas William title page illustration)

11) Robert Benchley’s Wayward Press (TNY Columns, 1927-1939), S.L. Harrison, Ed. (Prologue by Nat Benchley, Robert's grandson; front cover illustration by Al Hirschfeld); Wolf Den Books (2008 paperback)

12) The Benchley Roundup, Nathaniel Benchley, Ed. (drawings by Gluyas Williams); Harper & Brothers (1954 hardcover)

13) The Early Worm, Robert Benchley (with illustrations by Gluyas Williams); Blue Ribbon Books Reprint Edition 1946 by special arrangement with Harper & Brothers; original copyright 1927 Harper & Brothers (hardcover; contains engravings by John Held, Jr.)

14) 20,000 Leagues Under The Sea or David Copperfield, Robert Benchley (with illustrations by Gluyas Williams); Henry Holt & Co. (1928 hardcover)

Not purchased: "Pluck & Luck," "The Treasurer's Report & Other Aspects of Community Singing"; "No Poems, or Around The World Backwards & Sideways"; & "From Bed To Worse, or Comforting Thoughts about the Bison."

With many of the same columns promiscuously reprinted in successive Benchley books --- see below --- it didn't make sense to pay high prices for books when I probably already possess most of their contents.

***

No one in their right mind reviews this many books in one shot. It is a sure thing that, if you have a sense of humor, you will find Robert Benchley to be a forgotten master of an art that is eternally, fiendishly difficult to master because comedy works best when the ego is sublimated by self-discipline to the potential of the magic of selfless laughter.

Who the hell wants to hear that?

***

What's Next: A table of contents of Benchley's newspaper / magazine columns, later reprinted in books published between 1921-54.

With the exception of "Wayward Press" & "At The Theatre," the columns were thrown together in no particular order (The Landfill Method of publishing, quite popular back then, you're out the door at 3 p.m.).

And with the exception of one professionally-assembled copyright page (in microscopic print), not one Benchley publisher gave a hoot about listing the original copyright dates of the individual columns (by year).

Here they are, listed in alphabetical order.

*****

Columns were recycled. If so, how the repeats are listed:

"Shakespeare Explained, BBH, p. 87; IB p. 202; OAT, p. 175; TBR, p. 33."

1) After 1903 --- What? ------------------- Abbreviated as "A1903"
2) Benchley At The Theatre --------------Abbreviated as "BAAT"
3) Benchley Beside Himself -------------- Abbreviated as "BBH"
4) Benchley or Else! ----------------------- Abbreviated as "BOE"
5) Chips Off The Old Benchley --------- Abbreviated as "CHIP"

6) Inside Benchley-------------------------- Abbreviated as "IB"
7) Love Conquers All ---------------------- Abbreviated as "LCA"
8) My Ten Years In A Quandary-------- Abbreviated as "MY10"
9) Of All Things! --------------------------- Abbreviated as "OAT"
10) Robert Benchley, A Biography ----- N/A

11) Robert Benchley's Wayward Press -- Abbreviated as "WP"
12) The Benchley Roundup ---------------- Abbreviated as "TBR"
13) The Early Worm ------------------------ Abbreviated as "TEW"
14) 20,000 Leagues Under The Sea,
or David Copperfield ----------------------- Abbreviated as "20,000"

Some column titles had quotation marks (front & back). If missing in the list below, call the F.B.I.

Assumed: None of the original column titles were later changed by publishers.
(i.e., "Animal Stories" is not the same column as " Great Bison News").

*****

"Robert Benchley's Wayward Press" (New Yorker articles) & "Robert Benchley" (his son's biography) are not directly relevant to what follows. Both are warmly recommended, even if the mores of the era in which Nat Benchley published his biography (1940s-50s) deterred him from being entirely candid.

"Wayward," assembled brilliantly three decades later by Charles Getchell (see praise of, continued below), reminds us that Robert was both a humorist & a quite serious writer:

"Writing as Guy Fawkes, Benchley chastised the press for practices that led it astray from journalistic ideals. The lapses were vast & continue still [to this day]:

"News reports based on [nothing but] speculation; made-up news; blatant advertising plugs; fawning accounts of celebrities; government propaganda reported as news; airline & shipping lobbying; quotes of dubious veracity;

"Publicity plugs & corporate press releases masquerading as news; inaccurate & conflicting facts; faked or doctored photographs; poor writing & fatuous overwriting, especially on the sports pages --- 'literary' baseball reporting & 'purple prose' describing football games.

"Benchley was no pedant; he was concerned with the integrity of the press --- its ethics & competency --- & exposed misreporting in terms easy to understand. His tone, light but lethal, was dead-on accurate. Attentive readers [today] are aware that the journalistic faults Benchley cited [continue to] thrive in many newspapers --- & especially in electronic reporting."

"Wayward's" "Glossary*" provides the full names & biographical details of people mentioned somewhat nebulously in the Guy Fawkes columns.

The book's Bibliography is superb (especially for recognizing the merits of the commendable, yet oft-unreadable "What Fresh Hell Is This" --- Marion Meade's biography of Dorothy Parker & a source of information about Robert Benchley not found in Nathaniel Benchley' biography).

*Sorry, wrong word. Glossaries are used to list inanimate objects in alphabetical order, NOT people:

"A glossary... is an alphabetical list of terms in a particular domain of knowledge [which provides] definitions for those terms. Traditionally, a glossary appears at the end of a book & includes terms within that book that are either newly introduced, uncommon, or specialized."

*****

Post Note (01/22/16): "Benchley at the Theatre," his dramatic criticisms of Broadway & other productions published in Life & New Yorker magazines between 1920-1940, arrived late to the party.

Although an introduction to Benchley is best served by first sampling his work as a satirist, overall, there is no question that this is by far the best Benchley book of the 14 titles above & easily the equal to anything that I have had the good luck to read in the past, including "Lantern Slides, The Diaries & Letters of Violet Bonham Carter" (1986), edited by the brilliant Mark Pottle.

*****

About one "thousand" columns were written. Here are the titles of about 500 of them.

"Brilliant"; "Superb"; "Excellent"; "Very Good," "Pretty Good" & "Good" --- indicate the ones that I thought represented the best that Benchley had to offer.

Unfortunately, various publishers felt free to toss in, as filler, Benchley's "pay-the-mortgage" columns. These didn't do any harm in their original newspaper form, but should have never seen the light of day twice.

There is some minor confusion about the titles that are adorned with quote marks, which, for the sake of this reader's alleged sanity, will remain unresolved. If both the front & the back QM exist (one not being missing), that's good enough. The gun goes off, the game ends & we covered the spread.

Post Note: It proved impractical (i.e., an insane idea due to technical limitations) to list the 500+ titles with each of the 14 separately posted reviews.

Go to the vendor page for "Benchley At The Theater":

http://www.amazon.com/Benchley-Theatre-Dramatic-Criticism-1920-1940/dp/093886405X/ref=cm_cr-mr-img

Hit the "see all reviews" (there are currently four) Look for mine. The titles are posted in 16 consecutive comment boxes below the same review as you see above.

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Friday, October 15, 2010

[E412.Ebook] Get Free Ebook Japan-ness in Architecture, by Arata Isozaki

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Japanese architect Arata Isozaki sees buildings not as dead objects but as events that encompass the social and historical context -- not to be defined forever by their "everlasting materiality" but as texts to be interpreted and reread continually. In Japan-ness in Architecture, he identifies what is essentially Japanese in architecture from the seventh to the twentieth century. In the opening essay, Isozaki analyzes the struggles of modern Japanese architects, including himself, to create something uniquely Japanese out of modernity. He then circles back in history to find what he calls Japan-ness in the seventh-century Ise shrine, reconstruction of the twelfth-century Todai-ji Temple, and the seventeenth-century Katsura Imperial Villa. He finds the periodic ritual relocation of Ise's precincts a counter to the West's concept of architectural permanence, and the repetition of the ritual an alternative to modernity's anxious quest for origins. He traces the "constructive power" of the Todai-ji Temple to the vision of the director of its reconstruction, the monk Chogen, whose imaginative power he sees as corresponding to the revolutionary turmoil of the times. The Katsura Imperial Villa, with its chimerical spaces, achieved its own Japan-ness as it reinvented the traditional shoin style. And yet, writes Isozaki, what others consider to be the Japanese aesthetic is often the opposite of that essential Japan-ness born in moments of historic self-definition; the purified stylization -- what Isozaki calls "Japanesquization" -- lacks the energy of cultural transformation and reflects an island retrenchment in response to the pressure of other cultures.Combining historical survey, critical analysis, theoretical reflection, and autobiographical account, these essays, written over a period of twenty years, demonstrate Isozaki's standing as one of the world's leading architects and preeminent architectural thinkers.

Sales Rank: #2510862 in Books
Published on: 2006-06-16
Original language: English
Number of items: 1
Dimensions: 9.00" h x .69" w x 6.00" l, 1.60 pounds
Binding: Hardcover
376 pages

Review

"Drawing on both his own extensive experience as a practicing architect and a broad grasp of world history, Arata Isozaki takes on the century-old debate over what is (or should be) 'Japanese' about Japanese architecture. This self-reflective critique is fresh and timely, and in the process provides provocative arguments about the shape of all Japanese history."--Henry D. Smith, II, Professor of Japanese History, Columbia University

"Iconoclastic and erudite, opinionated and insightful, wily and contrarian this exciting book should be widely read not only by architects, but by anyone interested in Japan. Isozaki's essays are at once autobiographical and oracular; the collection, written over decades and discussing buildings spanning centuries, establishes his personal struggle with being Japanese in a global era as one that offers provocative insight into the culture of Japan yesterday, today, and tomorrow." Dana Buntrock , Department of Architecture, University of California, Berkeley

"Iconoclastic and erudite, opinionated and insightful, wily and contrarian -- this exciting book should be widely read not only by architects, but by anyone interested in Japan. Isozaki's essays are at once autobiographical and oracular; the collection, written over decades and discussing buildings spanning centuries, establishes his personal struggle with being Japanese in a global era as one that offers provocative insight into the culture of Japan yesterday, today, and tomorrow."--Dana Buntrock, Department of Architecture, University of California, Berkeley

About the Author

Eugene M. Izhikevich is Chairman and CEO of Brain Corporation in San Diego and was formerly Senior Fellow in Theoretical Neurobiology at the Neurosciences Institute, San Diego. He is editor-in-chief of Scholarpedia, the free peer-reviewedencyclopedia.

Arata Isosaki is a leading Japanese architect. His works include the Museum of Contemporary Art, Los Angeles, the Olympic Stadium in Barcelona, the Volksbank Center am Postdamer Platz in Berlin, the Team Disney Building in Orlando, and the Tokyo University of Art and Design.

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10 of 11 people found the following review helpful.
Profound and thought provoking
By J. Simon
I ordered this book before publication and it wasn't until the summer of 2006 that i read it. and read it and read it. It is not easy to grasp for it complexly relates the myth of "Japan-ness' and how the qualities of Japanese architecture have been influenced by critics, history, individuals and foreign interventions - Isato concludes that there is no 'essential Japanese style but a complex web of forces creating various Japanesese architectural forms. "Japan-ness in Architecture" is a beautiful blend of personal and historical explorations that reveal the sources of styles whose effects continually define structural identities and transformations throughout 'Japanese' history. This is one of the best books I have read on the interaction of Japanese history and culture.

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Wednesday, October 6, 2010

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Prepare for success in the classroom! Corresponding to the chapters in the 9th edition of Lewis' market-leading Medical-Surgical Nursing, this study guide offers a complete review of content and a wide range of activities to help you understand key nursing concepts. Alternate item format questions reflect the most current NCLEX test plan. To make studying easier, answers for all exercises are included in the back of the book.

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Sales Rank: #2159 in Books
Published on: 2013-12-16
Released on: 2013-12-16
Original language: English
Number of items: 1
Dimensions: 10.88" h x 1.12" w x 8.50" l, 2.10 pounds
Binding: Paperback
480 pages

About the Author
Dirksen is Associate Professor, College of Nursing, Arizona State Universiyt, Tempe.

Heitkemper is Professor at Biobehavioral Nursing and Health Systems, School of Nursing, University of Washington, Seattle.

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3 of 3 people found the following review helpful.
It has helped me know where to focus for studying and is a great way to know what I need to re-read before ...
By KristiAmber
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By Danito104
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Awesome!
By Karla S. Wallen
This study guide really recaps the chapters in the book and helps me to focus on the most important take-aways from each chapter. I would recommend it to anyone and everyone that needs the big book!

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Tuesday, October 5, 2010

[D548.Ebook] Ebook A History of Architecture on the Comparative Method, by Sir Banister Fletcher

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Sales Rank: #2505133 in Books
Published on: 1931
Binding: Hardcover

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Tuesday, September 28, 2010

[T496.Ebook] Download Ebook Real-Time Integration Methods for Mechanical System Simulation (Nato ASI Subseries F:)From Brand: Springer

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This book contains the edited versions of lectures and selected contributed papers presented at the NATO Advanced Research Workshop on Real-Time Integration Methods For Mechanical System Simulation, held in Snowbird, Utah, August 7-11, 1989. The Institute was attended by 42 participants from 9 countries, including leading mathematicians and engineers from universities, research institutions, and industry. The majority of participants presented either invited or contributed papers during the Institute, and everyone participated in lively discussions on scientific aspects of the program. The Workshop provided a forum for investigation of promising new directions for solution of differential-algebraic equations (DAE) of mechanical system dynamics by mathematicians and engineers from numerous schools of thought. The Workshop addressed needs and opportunities for new methods of solving of DAE of mechanical system dynamics, from the perspective of a broad range of engineering and scientific applications. Among the most exciting new applications addressed was real time computer simulation of mechanical systems that, for the first time in human history, permits operator-in-the-Ioop simulation of equipment that is controlled by the human; e.g., driving a vehicle, operating a space telerobot, operating a remote manipulator, and operating construction equipment. The enormous potential value of this new application and the fact that real-time numerical integration methods for DAE of mechanical system dynamics is the pacing problem to be solved in realizing this potential served to focus much of the discussion at the Workshop.

Sales Rank: #10920671 in Books
Brand: Brand: Springer
Published on: 2012-07-31
Original language: English
Number of items: 1
Dimensions: 9.53" h x .83" w x 6.69" l, .0 pounds
Binding: Paperback
352 pages

Features

Used Book in Good Condition

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Wednesday, September 22, 2010

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For beginning and intermediate typography courses.

A practical and hands-on approach.

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Sales Rank: #49126 in Books
Published on: 2011-02-05
Original language: English
Number of items: 1
Dimensions: 9.80" h x .50" w x 6.90" l, 1.30 pounds
Binding: Paperback
230 pages

From the Back Cover

A practical introduction to typography, this book analyzes the basic principles and applications of type. From measuring type and classifying typefaces to organizing text on a page and understanding grid systems, the author covers everything that the beginning student of graphic design needs to know. In addition, he includes a brief history of typography, numerous examples to illustrate the points raised, and a series of useful exercises to help readers put basic principles into practice.

Engagingly written, this book is an invaluable resource for the beginning graphic designer and a useful refresher far the more experienced one.

About the Author
John Kane teaches typography and graphic design at Northeastern University and at The Art Institute of Boston at Lesley University. He has been a practicing graphic designer and teacher for the last twenty-five years.

Most helpful customer reviews

11 of 12 people found the following review helpful.
Typography 101
By A. Walter
I found this book to be an excellent, well organized, and easy to use tool in learning the history, classification, and organization of type. It is a great text for anyone starting out in the design field as well as for the experienced designer. I never knew exactly how much care and detail went into properly setting type until I got into this book. Mr. Kane has included excellent visual examples and some extremely useful exercises to help illustrate each subject covered in the text. The book flows very well and is a pleasurable read, and there is always something new for your eyes to take in on the next page.
I had the pleasure of taking two classes taught by Mr. Kane, and he definately knows typography backwards and forwards. He, as well as his book, is a wealth of knowledge for the aspiring designer.

9 of 11 people found the following review helpful.
Very modern and practical
By George Aye
A great book that introduces to the beginner many of the sensitivities that one ought to have when working with type.
It gives many great practical examples and exercises that makes one appreciate type on many levels.
As one who is taking a class in Typography, this is a great book to have by one's side.

2 of 2 people found the following review helpful.
Good Book, get the paper copy instead
By Dyknow Saur
I bought the electronic version and I somewhat regret it. Go with the paper one, things will be much better for the eyes and you can turn to the pages you want easier. Sometimes when I zoomed on the ebook it becomes distorted/blurry so get the paper version.

Lots of information on structure as well and what goes into the typefaces and such.

See all 23 customer reviews...

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